Henri-Marie Beyle: Perbedaan antara revisi
k Bot: Mengganti kategori Novelis Perancis dengan Novelis Prancis |
k Bot: Penggantian teks otomatis (-Perancis +Prancis) |
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|caption = Marie-Henri Beyle |
|caption = Marie-Henri Beyle |
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|birth_date = {{birth date|1783|1|23|df=y}} |
|birth_date = {{birth date|1783|1|23|df=y}} |
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|birth_place = [[Grenoble]], [[ |
|birth_place = [[Grenoble]], [[Prancis]] |
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|death_date = {{death date and age|1842|3|23|1783|1|23|df=y}} |
|death_date = {{death date and age|1842|3|23|1783|1|23|df=y}} |
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|death_place = [[Paris]], [[ |
|death_place = [[Paris]], [[Prancis]] |
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|occupation = [[Penulis]] |
|occupation = [[Penulis]] |
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|buried = Cimetière de Montmartre |
|buried = Cimetière de Montmartre |
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'''Henri-Marie Beyle''' ([[23 Januari]] [[1783]] – [[23 Maret]] [[1842]]), dikenal dengan [[nama pena]]-nya '''Stendhal''', adalah seorang [[penulis]] [[ |
'''Henri-Marie Beyle''' ([[23 Januari]] [[1783]] – [[23 Maret]] [[1842]]), dikenal dengan [[nama pena]]-nya '''Stendhal''', adalah seorang [[penulis]] [[Prancis]] abad ke-19. Dikenal karena analisisnya mengenai [[psikologi]] karakternya, ia dianggap sebagai salah satu orang pertama yang mempraktikkan [[realisme (seni)|realisme]] dalam dua novelnya ''Le Rouge et le Noir'' (''[[The Red and the Black]]'', 1830) dan ''La Chartreuse de Parme'' (''[[The Charterhouse of Parma]]'', 1839). |
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== Karya == |
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[[Kategori:Penulis Katolik Roma]] |
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Revisi per 8 Februari 2019 00.08
Marie-Henri Beyle | |
|---|---|
 Marie-Henri Beyle | |
| Lahir | 23 Januari 1783 Grenoble, Prancis |
| Meninggal | 23 Maret 1842 (umur 59) Paris, Prancis |
| Pekerjaan | Penulis |
| Aliran sastra | Realisme, Romantisisme |
Henri-Marie Beyle (23 Januari 1783 – 23 Maret 1842), dikenal dengan nama pena-nya Stendhal, adalah seorang penulis Prancis abad ke-19. Dikenal karena analisisnya mengenai psikologi karakternya, ia dianggap sebagai salah satu orang pertama yang mempraktikkan realisme dalam dua novelnya Le Rouge et le Noir (The Red and the Black, 1830) dan La Chartreuse de Parme (The Charterhouse of Parma, 1839).
Karya
Novel
- Armance (1827)
- Le Rouge et le Noir (variously translated as Scarlet and Black, Red and Black, The Red and the Black, 1830)
- La Chartreuse de Parme (1839) (The Charterhouse of Parma)
- Lucien Leuwen (1835, unfinished, published 1894)
- Lamiel (1839-42, unfinished, published 1889)
Novellas
- The Pink and the Green (1837, unfinished)
- Mina de Vanghel (1830, later published in La Revue des Deux Mondes)
- Vittoria Accoramboni
- Italian Chroniques, 1837 — 1839
- The Cenci (Les Cenci)
- The Duchess of Palliano (La Duchesse de Palliano)
- The Abbess of Castro (L'Abbesse de Castro, 1832)
- Vanina Vanini
Biografi
- A Life of Napoleon (1817-1818, published 1929)
Otobiografi
Stendhal's brief memoir, Souvenirs d'Égotisme (Memoirs of an Egotist) was published posthumously in 1892. Also published was a more extended autobiographical work, thinly disguised as the Life of Henry Brulard.
- The Life of Henry Brulard (1835-1836, published 1890)
Esai
- De L'Amour (1822) (On Love)
- Souvenirs d'Égotisme (Memoirs of an Egotist, published in 1892)
Referensi
- ^ [1]"Passion was his raison d'être, and that surely is the religion of all romantics-- exaltation through the passions... Stendhal was a product of the Napoleonic age, when the French saw themselves as world conquerors, and his attitude was such. But putting that aside one must admit that La Chartreuse is a good book in the romantic tradition... few men have conveyed passion with such intensity as he has... [examples] His description of their emotional frenzy is magnificent... Stendhal never became sentimental and soft the way Thackeray did, especially over women; in his greatest extravagance he remains hard and glittering... but Thackeray has something which Stendhal did not have: humour."
[2]"Passion was his raison d'être, and that surely is the religion of all romantics-- exaltation through the passions... Stendhal was a product of the Napoleonic age, when the French saw themselves as world conquerors, and his attitude was such. But putting that aside one must admit that La Chartreuse is a good book in the romantic tradition... few men have conveyed passion with such intensity as he has... [examples] His description of their emotional frenzy is magnificent... Stendhal never became sentimental and soft the way Thackeray did, especially over women; in his greatest extravagance he remains hard and glittering... but Thackeray has something which Stendhal did not have: humour."
Lihat pula
Catatan
- Ann Jefferson Reading Realism in Stendhal (Cambridge Studies in French), Cambridge, UK: Cambridge University Press, 1988.
Pranala luar
- (Prancis) Audio Book (mp3) of the red and the black incipit
- French site on Stendhal
- English site on Stendhal
- Karya Stendhal di Project Gutenberg
- The Red and the Black English translation
- Stendhal's works: text, concordances and frequency list
- Centro Stendhaliano di Milano Digital version of Stendhal's shoulder-notes on his own books.