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{{Infobox writer
{{judul|Stendhal}}
|name = Marie-Henri Beyle
{{terjemah|date=Desember 2009}}
|image = Stendhal.jpg
{{Infobox Writer <!-- for more information see [[:Template:Infobox Writer/doc]] -->
| name = Henri-Marie Beyle
|caption = Marie-Henri Beyle
|birth_date = {{birth date|1783|1|23|df=y}}
| image = Stendhal.jpg|200px|thumb|right
|birth_place = [[Grenoble]], [[Prancis]]
| caption =
| birthdate = {{birth date|1783|1|23|df=y}}
|death_date = {{death date and age|1842|3|23|1783|1|23|df=y}}
| birthplace = [[Grenoble]], [[Perancis]]
|death_place = [[Paris]], [[Prancis]]
|occupation = [[Penulis]]
| deathdate = {{death date and age|1842|3|23|1783|1|23|df=y}}
|buried = Cimetière de Montmartre
| deathplace = [[Paris]], [[Perancis]]
|movement = [[Realisme (seni rupa)|Realisme]], [[Romantisisme]]
| occupation = Penulis
|influences = [[William Shakespeare]], William Hazlitt, Encyclopédistes
| buried = [[Cimetière de Montmartre]]
|influenced = [[Friedrich Nietzsche]], Mihail Sebastian, [[Saul Bellow]], [[Doris Lessing]], [[Marcel Proust]], John Dos Passos, [[Émile Zola]], [[Leo Tolstoy]], Carlos Fuentes, Alice Munro, [[James Joyce]],<ref>[http://www.robotwisdom.com/jaj/tastes.html]"Passion was his raison d'être, and that surely is the religion of all romantics-- exaltation through the passions... Stendhal was a product of the Napoleonic age, when the French saw themselves as world conquerors, and his attitude was such. But putting that aside one must admit that La Chartreuse is a good book in the romantic tradition... few men have conveyed passion with such intensity as he has... [examples] His description of their emotional frenzy is magnificent... Stendhal never became sentimental and soft the way Thackeray did, especially over women; in his greatest extravagance he remains hard and glittering... but Thackeray has something which Stendhal did not have: humour."</ref> Grigol Robakidze
| movement = [[Realisme]]
|website =
| influences =
| influenced =
| website =
}}
}}

'''Henri-Marie Beyle''' ([[23 Januari]] [[1783]] – [[23 Maret]] [[1842]]), dikenal dengan [[nama pena]]-nya '''Stendhal''', adalah seorang [[penulis]] [[Perancis]] abad ke-19. Dikenal karena analisisnya mengenai [[psikologi]] karakternya, ia dianggap sebagai salah satu orang pertama yang mempraktikkan [[realisme (seni)|realisme]] dalam dua novelnya ''Le Rouge et le Noir'' (''[[The Red and the Black]]'', 1830) dan ''La Chartreuse de Parme'' (''[[The Charterhouse of Parma]]'', 1839).
'''Henri-Marie Beyle''' ([[23 Januari]] [[1783]] – [[23 Maret]] [[1842]]), dikenal dengan [[nama pena]]-nya '''Stendhal''', adalah seorang [[penulis]] [[Prancis]] abad ke-19. Dikenal karena analisisnya mengenai [[psikologi]] karakternya, ia dianggap sebagai salah satu orang pertama yang mempraktikkan [[realisme (seni)|realisme]] dalam dua novelnya ''Le Rouge et le Noir'' (''[[The Red and the Black]]'', 1830) dan ''La Chartreuse de Parme'' (''[[The Charterhouse of Parma]]'', 1839).


== Karya ==
== Karya ==
=== Novel ===
=== Novel ===

*''[[Armance]]'' (1827)
* ''[[Armance]]'' (1827)
*''Le Rouge et le Noir'' (variously translated as ''Scarlet and Black'', ''Red and Black'', ''[[The Red and the Black]]'', [[1830 in literature|1830]])
* ''Le Rouge et le Noir'' (variously translated as ''Scarlet and Black'', ''Red and Black'', ''[[The Red and the Black]]'', [[1830 in literature|1830]])
*''La Chartreuse de Parme'' (1839) (''[[The Charterhouse of Parma]]'')
* ''La Chartreuse de Parme'' (1839) (''[[The Charterhouse of Parma]]'')
*''[[Lucien Leuwen]]'' (1835, unfinished, published 1894)
*''[[Lamiel]]'' ([[1839-42]], unfinished, published 1889)
* ''[[Lucien Leuwen]]'' (1835, unfinished, published 1894)
* ''[[Lamiel]]'' ([[1839-42]], unfinished, published 1889)


=== Novellas ===
=== Novellas ===

*''The Pink and the Green'' (1837, unfinished)
*''Mina de Vanghel'' (1830, later published in [[La Revue des Deux Mondes]])
* ''The Pink and the Green'' (1837, unfinished)
* ''Mina de Vanghel'' (1830, later published in [[La Revue des Deux Mondes]])
*''[[Vittoria Accoramboni (novella)|Vittoria Accoramboni]]
* ''[[Vittoria Accoramboni (novella)|Vittoria Accoramboni]]
* ''[[Italian Chroniques]]'', 1837 — 1839
* ''[[Italian Chroniques]]'', 1837 — 1839
** ''[[The Cenci (Stendhal)|The Cenci]]'' (''Les Cenci'')
** ''[[The Cenci (Stendhal)|The Cenci]]'' (''Les Cenci'')
Baris 37: Baris 38:


=== Biografi ===
=== Biografi ===

*''[[A Life of Napoleon]]'' (1817-1818, published 1929)
* ''[[A Life of Napoleon]]'' (1817-1818, published 1929)


=== Otobiografi ===
=== Otobiografi ===
Stendhal's brief memoir, ''Souvenirs d'Égotisme'' (''Memoirs of an Egotist'') was published posthumously in 1892. Also published was a more extended autobiographical work, thinly disguised as the ''Life of Henry Brulard''.
Stendhal's brief memoir, ''Souvenirs d'Égotisme'' (''Memoirs of an Egotist'') was published posthumously in 1892. Also published was a more extended autobiographical work, thinly disguised as the ''Life of Henry Brulard''.
*''[[The Life of Henry Brulard]]'' (1835-1836, published 1890)
* ''[[The Life of Henry Brulard]]'' (1835-1836, published 1890)


=== Esai ===
=== Esai ===
*''De L'Amour'' (1822) (''[[On Love]]'')
*''Souvenirs d'Égotisme'' (''[[Memoirs of an Egotist]]'', published in 1892)


* ''De L'Amour'' (1822) (''[[On Love]]'')
{{commons|Stendhal|Stendhal}}
* ''Souvenirs d'Égotisme'' (''[[Memoirs of an Egotist]]'', published in 1892)

== Referensi ==

{{reflist}}
[http://www.robotwisdom.com/jaj/tastes.html] {{Webarchive|url=https://web.archive.org/web/20120622204226/http://www.robotwisdom.com/jaj/tastes.html |date=2012-06-22 }}"Passion was his raison d'être, and that surely is the religion of all romantics-- exaltation through the passions... Stendhal was a product of the Napoleonic age, when the French saw themselves as world conquerors, and his attitude was such. But putting that aside one must admit that La Chartreuse is a good book in the romantic tradition... few men have conveyed passion with such intensity as he has... [examples] His description of their emotional frenzy is magnificent... Stendhal never became sentimental and soft the way Thackeray did, especially over women; in his greatest extravagance he remains hard and glittering... but Thackeray has something which Stendhal did not have: humour."
{{wikiquote}}
{{wikiquote}}
{{Wikisourcelang|fr|Stendhal|Stendhal}}
{{Wikisourcelang|fr|Stendhal|Stendhal}}


== Lihat pula ==
== Lihat pula ==

*[[Sindrom Stendhal]]
*[[Orang mononim]]
* [[Sindrom Stendhal]]
* [[Orang mononim]]


== Catatan ==
== Catatan ==

*Ann Jefferson ''Reading Realism in Stendhal (Cambridge Studies in French)'', Cambridge, UK: Cambridge University Press, 1988.
* Ann Jefferson ''Reading Realism in Stendhal (Cambridge Studies in French)'', Cambridge, UK: Cambridge University Press, 1988.


== Pranala luar ==
== Pranala luar ==

* {{fr icon}} [http://www.incipitblog.com/index.php/2005/11/11/stendhal-le-rouge-et-le-noir-1830/ Audio Book (mp3) of ] the red and the black incipit
* {{fr icon}} [http://www.incipitblog.com/index.php/2005/11/11/stendhal-le-rouge-et-le-noir-1830/ Audio Book (mp3) of ] {{Webarchive|url=https://web.archive.org/web/20060105025426/http://www.incipitblog.com/index.php/2005/11/11/stendhal-le-rouge-et-le-noir-1830/ |date=2006-01-05 }} the red and the black incipit
*[http://www.armance.com/ French site on Stendhal]
*[http://www.stendhalforever.com/ English site on Stendhal]
* [http://www.armance.com/ French site on Stendhal]
* [http://www.stendhalforever.com/ English site on Stendhal]
* {{gutenberg author| id=Stendhal | name=Stendhal}}
* {{gutenberg author|id=Stendhal |name=Stendhal}}
*[http://www.4literature.net/Stendhal/Red_and_the_Black/ ''The Red and the Black''] English translation
* [http://www.4literature.net/Stendhal/Red_and_the_Black/ ''The Red and the Black''] {{Webarchive|url=https://web.archive.org/web/20070928011156/http://www.4literature.net/Stendhal/Red_and_the_Black/ |date=2007-09-28 }} English translation
* [http://www.intratext.com/Catalogo/Autori/AUT354.HTM Stendhal's works]: text, concordances and frequency list
* [http://www.intratext.com/Catalogo/Autori/AUT354.HTM Stendhal's works]: text, concordances and frequency list
* [http://www.digitami.it/stendhal Centro Stendhaliano di Milano] Digital version of Stendhal's shoulder-notes on his own books.
* [http://www.digitami.it/stendhal Centro Stendhaliano di Milano] {{Webarchive|url=https://web.archive.org/web/20211221224056/http://www.digitami.it/stendhal/ |date=2021-12-21 }} Digital version of Stendhal's shoulder-notes on his own books.


{{Romantisisme}}
{{Romantisisme}}


{{lifetime|1783|1842|Beyle, Henri-Marie}}
{{lifetime|1783|1842|}}
{{Link FA|nl}}


{{Authority control}}
[[Kategori:Penulis Perancis]]
[[Kategori:Novelis Perancis]]
[[Kategori:Penulis cerita pendek Perancis]]
[[Kategori:Penulis Katolik Roma]]


[[Kategori:Penulis Prancis]]
[[bg:Стендал]]
[[Kategori:Novelis Prancis]]
[[br:Stendhal]]
[[ca:Stendhal]]
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[[cs:Stendhal]]
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[[de:Stendhal]]
[[en:Stendhal]]
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[[fa:استاندال]]
[[fi:Stendhal]]
[[fr:Stendhal]]
[[gl:Stendhal]]
[[he:סטנדל]]
[[hr:Stendhal]]
[[hu:Stendhal]]
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[[ja:スタンダール]]
[[ka:სტენდალი]]
[[ko:스탕달]]
[[ku:Stendhal]]
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[[lb:Stendhal]]
[[lt:Stendalis]]
[[mk:Мари Анри Бејл]]
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[[ru:Стендаль]]
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[[simple:Stendhal]]
[[sk:Stendhal]]
[[sr:Стендал]]
[[sv:Stendhal]]
[[tr:Stendhal]]
[[uk:Стендаль]]
[[vi:Stendhal]]
[[zh:司汤达]]

Revisi terkini sejak 11 November 2022 01.42

Marie-Henri Beyle
Marie-Henri Beyle
Marie-Henri Beyle
Lahir(1783-01-23)23 Januari 1783
Grenoble, Prancis
Meninggal23 Maret 1842(1842-03-23) (umur 59)
Paris, Prancis
PekerjaanPenulis
Aliran sastraRealisme, Romantisisme

Henri-Marie Beyle (23 Januari 178323 Maret 1842), dikenal dengan nama pena-nya Stendhal, adalah seorang penulis Prancis abad ke-19. Dikenal karena analisisnya mengenai psikologi karakternya, ia dianggap sebagai salah satu orang pertama yang mempraktikkan realisme dalam dua novelnya Le Rouge et le Noir (The Red and the Black, 1830) dan La Chartreuse de Parme (The Charterhouse of Parma, 1839).

Otobiografi

[sunting | sunting sumber]

Stendhal's brief memoir, Souvenirs d'Égotisme (Memoirs of an Egotist) was published posthumously in 1892. Also published was a more extended autobiographical work, thinly disguised as the Life of Henry Brulard.

Referensi

[sunting | sunting sumber]
  1. ^ [1]"Passion was his raison d'être, and that surely is the religion of all romantics-- exaltation through the passions... Stendhal was a product of the Napoleonic age, when the French saw themselves as world conquerors, and his attitude was such. But putting that aside one must admit that La Chartreuse is a good book in the romantic tradition... few men have conveyed passion with such intensity as he has... [examples] His description of their emotional frenzy is magnificent... Stendhal never became sentimental and soft the way Thackeray did, especially over women; in his greatest extravagance he remains hard and glittering... but Thackeray has something which Stendhal did not have: humour."

[2] Diarsipkan 2012-06-22 di Wayback Machine."Passion was his raison d'être, and that surely is the religion of all romantics-- exaltation through the passions... Stendhal was a product of the Napoleonic age, when the French saw themselves as world conquerors, and his attitude was such. But putting that aside one must admit that La Chartreuse is a good book in the romantic tradition... few men have conveyed passion with such intensity as he has... [examples] His description of their emotional frenzy is magnificent... Stendhal never became sentimental and soft the way Thackeray did, especially over women; in his greatest extravagance he remains hard and glittering... but Thackeray has something which Stendhal did not have: humour."

Lihat pula

[sunting | sunting sumber]
  • Ann Jefferson Reading Realism in Stendhal (Cambridge Studies in French), Cambridge, UK: Cambridge University Press, 1988.

Pranala luar

[sunting | sunting sumber]