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'''Paolo Veronese''' (1528 - 19 April 1588) adalah seorang pelukis [[Italia]] jaman [[Renaisans]] di [[Venice]], yang terkenal atas lukisan-lukisannya seperti ''Perkawinan di Kana'' dan ''Pesta di Rumah Levi''. Ia mengambil nama '''Paolo Cagliari''' atau '''Paolo Caliari''',<ref>Rearick, W. R.: ''The Art of Paolo Veronese 1528-1588'', page 20. National Gallery of Art, 1988. His earliest known painting is signed "P. Caliari F.," ''the first known instance in which he used this surname, which he seems to have adopted, since his parents appear not to have had one.''</ref> dan belakangan menjadi dikenal sebagai "Veronese" karena kota kelahirannya di [[Verona]].
'''Paolo Veronese''' ([[1528]] - [[19 April]] [[1588]]) adalah seorang pelukis [[Italia]] zaman [[Renaisans]] di [[Venice]], yang terkenal atas lukisan-lukisannya seperti ''Perkawinan di Kana'' dan ''Pesta di Rumah Levi''. Ia mengambil nama '''Paolo Cagliari''' atau '''Paolo Caliari''',<ref>Rearick, W. R.: ''The Art of Paolo Veronese 1528-1588'', page 20. National Gallery of Art, 1988. His earliest known painting is signed "P. Caliari F.," ''the first known instance in which he used this surname, which he seems to have adopted, since his parents appear not to have had one.''</ref> dan belakangan menjadi dikenal sebagai "Veronese" karena kota kelahirannya di [[Verona]].

⚫
Veronese, [[Titian]], dan [[Tintoretto]] menjadi tiga serangkai plukis terbaik Venezia ([[Venice]]) di masa Renaissans akhir (tahun 1500an). Veronese dikenal sebagai seorang ahli warna, dan terkenal akan dekorasi-dekorasi ilusinya baik di lukisan dinding maupun di lukisan cat minyak. Karya-karya terkenalnya adalah perputaran narasi yang diperjelas, yang dilakukannya dalam sebuah gaya [[Mannerisme]] yang dramatis dan penuh warna, penuh dengan latar belakang arsitektur yang megah dan arak-arakan yang gilang-cemerlang. Lukisan-lukisan berukuran besarnya tentang berbagai peristiwa perayaan dalam Kitab Suci yang dikerjakannya bagi beberapa ruang makan biara di [[Venice]] dan [[Verona]] sangatlah terkenal. Kesaksian singkatnya yang diberikan kepada pihak Inkuisisi seringkali dikutip karena pemahamannya yang dalam mengenai teknik lukis kontemporer.
⚫
[[Image:Paolo Veronese 007.jpg|400px|thumb|''Pesta di Rumah Levi'' (1573), salah satu lukisan dengan ukuran kanvas terbesar di abad ke-16. Lukisan ini menyebabkan terjadinya penyelidikan oleh Inkuisisi Katolik Roma selama masa Kontra-Reformasi.]]


⚫
Veronese, [[Titian]], dan [[Tintoretto]] menjadi tiga serangkai plukis terbaik Venezia ([[Venice]]) pada masa Renaissans akhir (tahun 1500-an). Veronese dikenal sebagai seorang ahli warna, dan terkenal akan dekorasi-dekorasi ilusinya baik di lukisan dinding maupun di lukisan cat minyak. Karya-karya terkenalnya adalah perputaran narasi yang diperjelas, yang dilakukannya dalam sebuah gaya [[Mannerisme]] yang dramatis dan penuh warna, penuh dengan latar belakang arsitektur yang megah dan arak-arakan yang gilang-cemerlang. Lukisan-lukisan berukuran besarnya tentang berbagai peristiwa perayaan dalam Kitab Suci yang dikerjakannya bagi beberapa ruang makan biara di [[Venice]] dan [[Verona]] sangatlah terkenal. Kesaksian singkatnya yang diberikan kepada pihak Inkuisisi sering kali dikutip karena pemahamannya yang dalam mengenai teknik lukis kontemporer.
⚫
[[Berkas:The Feast in the House of Levi by Paolo Veronese (edited 2).jpg|400px|jmpl|''Pesta di Rumah Levi'' (1573), salah satu lukisan dengan ukuran kanvas terbesar pada abad ke-16. Lukisan ini menyebabkan terjadinya penyelidikan oleh Inkuisisi Katolik Roma selama masa Kontra-Reformasi.]]
[[Berkas:Palazzetto del Veronese (Venice).jpg|jmpl|Veronese rumah di Venice.]]
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==Life and work==
==Life and work==
===Youth===
===Youth===
The census in Verona attests that Veronese was born some time in [[1528]] to a stonecutter named Gabriele, and his wife Catherina. By the age of fourteen Veronese apprenticed with the local master [[Antonio Badile]], and perhaps with [[Giovanni Francesco Caroto]]. An altarpiece painted by Badile in 1543 includes striking passages that were most likely the work of his fifteen-year-old apprentice; Veronese's precocious gifts soon surpassed the level of the workshop, and by [[1544]] he was no longer residing with Badile.<ref>Rearick, page 20, 1988.</ref> Though trained in the culture of [[Mannerism]] then popular in [[Parma]], he soon developed his own preference for a more radiant palette.<ref>Bussagli, Marco: "The XVI Century", ''Italian Art'', page 206. Giunti Gruppo Editoriale, 2000.</ref> [[Image:Paoloveronese.jpg|thumb|left|''Allegory of Wisdom and Strength'', c. 1580.]]
The census in Verona attests that Veronese was born some time in [[1528]] to a stonecutter named Gabriele, and his wife Catherina. By the age of fourteen Veronese apprenticed with the local master [[Antonio Badile]], and perhaps with [[Giovanni Francesco Caroto]]. An altarpiece painted by Badile in 1543 includes striking passages that were most likely the work of his fifteen-year-old apprentice; Veronese's precocious gifts soon surpassed the level of the workshop, and by [[1544]] he was no longer residing with Badile.<ref>Rearick, page 20, 1988.</ref> Though trained in the culture of [[Mannerism]] then popular in [[Parma]], he soon developed his own preference for a more radiant palette.<ref>Bussagli, Marco: "The XVI Century", ''Italian Art'', page 206. Giunti Gruppo Editoriale, 2000.</ref> [[Berkas:Paoloveronese.jpg|thumb|left|''Allegory of Wisdom and Strength'', c. 1580.]]


===Venice===
===Venice===

He then moved briefly to [[Mantua]] in [[1548]] (where he created [[fresco]]es in that city's [[Duomo]]) before ultimately settling in Venice. His first Venetian commission was a ''Sacra Conversazione'' from San Francesco della Vigna (c.1552). In [[1553]], he obtained his first state commission, the fresco decoration of the ''Sala dei Cosiglio dei Dieci'' (the Hall of the [[Council of Ten]]) and the adjoining ''Sala dei Tre Capi del Consiglio''. He then painted a ''History of Esther'' in the ceiling for the church of San Sebastiano. It was his ceiling paintings for San Sebastiano, the [[Doge's Palace]], and the [[Biblioteca Marciana|Marciana Library]], (the last for which Titian awarded him a prize), that established him as a master among his Venetian contemporaries.<ref>Dunkerton, Jill, et al.: ''Durer to Veronese: Sixteenth- Century Painting in the National Gallery'', page 125. National Gallery Publications, 1999.</ref> Already these works indicate Veronese's mastery for referencing both the subtle foreshortening of the figures of [[Correggio]] and the heroism of those by [[Michelangelo]].<ref>Rearick, page 50, 1998.</ref>
He then moved briefly to [[Mantua]] in [[1548]] (where he created [[fresco]]es in that city's [[Duomo]]) before ultimately settling in Venice. His first Venetian commission was a ''Sacra Conversazione'' from San Francesco della Vigna (c.1552). In [[1553]], he obtained his first state commission, the fresco decoration of the ''Sala dei Cosiglio dei Dieci'' (the Hall of the [[Council of Ten]]) and the adjoining ''Sala dei Tre Capi del Consiglio''. He then painted a ''History of Esther'' in the ceiling for the church of San Sebastiano. It was his ceiling paintings for San Sebastiano, the [[Doge's Palace]], and the [[Biblioteca Marciana|Marciana Library]], (the last for which Titian awarded him a prize), that established him as a master among his Venetian contemporaries.<ref>Dunkerton, Jill, et al.: ''Durer to Veronese: Sixteenth- Century Painting in the National Gallery'', page 125. National Gallery Publications, 1999.</ref> Already these works indicate Veronese's mastery for referencing both the subtle foreshortening of the figures of [[Correggio]] and the heroism of those by [[Michelangelo]].<ref>Rearick, page 50, 1998.</ref>


===Villa Barbaro and refectory paintings===
===Villa Barbaro and refectory paintings===
By 1556 Veronese was commissioned to paint the first of his monumental banquet scenes, the ''Feast in the House of Simon'', which would not be concluded until 1570. However, owing to its scattered composition and lack of focus, it was not his most successful refectory mural.<ref>Rearick, page 75, 1988.</ref> In the late 1550s, during a break in his work for San Sebastiano, Veronese decorated the [[Villa Barbaro]] in [[Maser, Italy|Maser]], a newly-finished building by the architect [[Andrea Palladio]]. The frescoes were designed to unite humanistic culture with Christian spirituality; wall paintings included portraits of the Barbaro family,<ref>The ''[[Portrait of Daniele Barbaro]]'', painted 1566-67, entered the collection of the Rijksmuseum in Amsterdam in 1952. ''Veronese: Gods, Heroes and Allegories'', De Vecchi, Pierluigi, pages 104-5. Rizzoli, 2004.</ref> and the ceilings opened to blue skies and mythological figures. Veronese's decorations employed complex perspective and [[trompe l'oeil]], and resulted in a luminescent and inspired visual poetry.<ref>Rearick, page 10, 1998.</ref> The encounter between architect and artist was a triumph.<ref>Bussagli, page 207, 2000.</ref>
By 1556 Veronese was commissioned to paint the first of his monumental banquet scenes, the ''Feast in the House of Simon'', which would not be concluded until 1570. However, owing to its scattered composition and lack of focus, it was not his most successful refectory mural.<ref>Rearick, page 75, 1988.</ref> In the late 1550s, during a break in his work for San Sebastiano, Veronese decorated the [[Villa Barbaro]] in [[Maser, Italy|Maser]], a newly-finished building by the architect [[Andrea Palladio]]. The frescoes were designed to unite humanistic culture with Christian spirituality; wall paintings included portraits of the Barbaro family,<ref>The ''[[Portrait of Daniele Barbaro]]'', painted 1566-67, entered the collection of the Rijksmuseum in Amsterdam in 1952. ''Veronese: Gods, Heroes and Allegories'', De Vecchi, Pierluigi, pages 104-5. Rizzoli, 2004.</ref> and the ceilings opened to blue skies and mythological figures. Veronese's decorations employed complex perspective and [[trompe l'oeil]], and resulted in a luminescent and inspired visual poetry.<ref>Rearick, page 10, 1998.</ref> The encounter between architect and artist was a triumph.<ref>Bussagli, page 207, 2000.</ref>


The ''Wedding at Cana'', painted in 1562-1563, was commissioned for Palladio's refectory in [[San Giorgio Monastery|San Giorgio Maggiore]]. As in the other banquet pictures, the scene reflects the festivities then current to Venetian life. The painting is immense: more than a hundred figures, including recognizable portraits of Titian, Tintoretto, and Veronese himself, are staged upon a canvas surface nearly ten metres wide. The foreground celebration, a frieze of figures painted in the most shimmering finery, is flanked by two sets of stairs leading back to a terrace, Roman colonnades, and a brilliant sky.<ref>Rearick, page 10, 1998.</ref>
The ''Wedding at Cana'', painted in 1562-1563, was commissioned for Palladio's refectory in [[San Giorgio Monastery|San Giorgio Maggiore]]. As in the other banquet pictures, the scene reflects the festivities then current to Venetian life. The painting is immense: more than a hundred figures, including recognizable portraits of Titian, Tintoretto, and Veronese himself, are staged upon a canvas surface nearly ten metres wide. The foreground celebration, a frieze of figures painted in the most shimmering finery, is flanked by two sets of stairs leading back to a terrace, Roman colonnades, and a brilliant sky.<ref>Rearick, page 10, 1998.</ref>


In the refectory paintings, as in ''The Family of Darius before Alexander'' (1565-1570)[http://commons.wikimedia.org/wiki/Image:The_Family_of_Darius_before_Alexander_by_Paolo_Veronese_1570.jpg], Veronese arranged the architecture to run mostly parallel to the picture plane, accentuating the processional character of the composition. The artist's decorative genius was to recognize that dramatic perspectival effects would have been tiresome in a living room or chapel, and that the narrative of the picture could best be absorbed as a colorful diversion.<ref>Dunkerton, et al., page 111, 1999.</ref> [[Image:Cana1.jpg|thumb|300px|''[[The Wedding at Cana]]'', 1562-1563. [[Louvre]].]]These paintings offer little in the representation of emotion; rather, they illustrate the carefully composed movement of their subjects along a primarily horizontal axis. Most of all they are about the incandescence of light and color.<ref>Rearick, page 13, 1988.</ref> The exaltation of such visual effects may have been a reflection of the artist's personal well-being, for in [[1565]] Veronese married Elena Badile, the daughter of his first master, and by whom he would eventually have four sons and a daughter.<ref>Rearick, page 13, 1988.</ref>
In the refectory paintings, as in ''The Family of Darius before Alexander'' (1565-1570)[http://commons.wikimedia.org/wiki/Berkas:The_Family_of_Darius_before_Alexander_by_Paolo_Veronese_1570.jpg], Veronese arranged the architecture to run mostly parallel to the picture plane, accentuating the processional character of the composition. The artist's decorative genius was to recognize that dramatic perspectival effects would have been tiresome in a living room or chapel, and that the narrative of the picture could best be absorbed as a colorful diversion.<ref>Dunkerton, et al., page 111, 1999.</ref> [[Berkas:Cana1.jpg|thumb|300px|''[[The Wedding at Cana]]'', 1562-1563. [[Louvre]].]]These paintings offer little in the representation of emotion; rather, they illustrate the carefully composed movement of their subjects along a primarily horizontal axis. Most of all they are about the incandescence of light and color.<ref>Rearick, page 13, 1988.</ref> The exaltation of such visual effects may have been a reflection of the artist's personal well-being, for in [[1565]] Veronese married Elena Badile, the daughter of his first master, and by whom he would eventually have four sons and a daughter.<ref>Rearick, page 13, 1988.</ref>


===The House of Levi===
===The House of Levi===
Baris 26: Baris 28:
===Other works===
===Other works===


[[Image:The Battle of Lepanto by Paolo Veronese.jpeg|thumb|right|250|The ''Battle of Lepanto'' (c. 1572, oil on canvas, 169 x 137 cm, [[Gallerie dell'Accademia]], [[Venice]])]]
[[Berkas:The Battle of Lepanto by Paolo Veronese.jpeg|thumb|right|250|The ''Battle of Lepanto'' (c. 1572, oil on canvas, 169 x 137 cm, [[Gallerie dell'Accademia]], [[Venice]])]]
In addition to the ceiling creations and wall paintings, Veronese also produced altarpieces (''The Consecration of Saint Nicholas'', 1561-2, London's [[National Gallery, London|National Gallery]][http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG26]), paintings on mythological subjects (''Venus and Mars'', 1578, New York [[Metropolitan Museum of Art]] [http://www.metmuseum.org/toah/hd/iopr/ho_10.189.htm]), and portraits (''Portrait of a Lady'', 1555, [[Louvre]]). A significant number of compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi are in circulation. Veronese was one of the first painters whose drawings were sought by collectors during his lifetime.<ref>Eisler, Colin: ''Masterworks in Berlin: A City's Paintings Reunited'', page 270. Little, Brown and Company, 1996.</ref>
In addition to the ceiling creations and wall paintings, Veronese also produced altarpieces (''The Consecration of Saint Nicholas'', 1561-2, London's [[National Gallery, London|National Gallery]][http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG26]), paintings on mythological subjects (''Venus and Mars'', 1578, New York [[Metropolitan Museum of Art]] [http://www.metmuseum.org/toah/hd/iopr/ho_10.189.htm]), and portraits (''Portrait of a Lady'', 1555, [[Louvre]]). A significant number of compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi are in circulation. Veronese was one of the first painters whose drawings were sought by collectors during his lifetime.<ref>Eisler, Colin: ''Masterworks in Berlin: A City's Paintings Reunited'', page 270. Little, Brown and Company, 1996.</ref>


Baris 40: Baris 42:
<blockquote>This innovation could not be better described. Veronese's bright outdoor harmonies enlightened and inspired the whole nineteenth century. He was the foundation of modern painting. But whether his style is in fact naturalistic, as the [[Impressionists]] thought, or a more subtle and beautiful imaginative invention must remain a question for each age to answer for itself.<ref>Gowing, Lawrence: ''Paintings in the Louvre'', page 262. Stewart, Tabori & Chang, 1987.</ref></blockquote>
<blockquote>This innovation could not be better described. Veronese's bright outdoor harmonies enlightened and inspired the whole nineteenth century. He was the foundation of modern painting. But whether his style is in fact naturalistic, as the [[Impressionists]] thought, or a more subtle and beautiful imaginative invention must remain a question for each age to answer for itself.<ref>Gowing, Lawrence: ''Paintings in the Louvre'', page 262. Stewart, Tabori & Chang, 1987.</ref></blockquote>
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==Daftar karya==
== Daftar karya ==
*''[[St. Anthony Tempted by the Devil]]'' (1552-1553) -<small> Oil on canvas, 198 x 151 cm, Musée des Beaux-Arts, [[Caen]]</small>
* ''[[St. Anthony Tempted by the Devil]]'' (1552-1553) -<small> Oil on canvas, 198 x 151&nbsp;cm, Musée des Beaux-Arts, [[Caen]]</small>
*''[[Zeus ousting the Vices]]'' (c. 1553) -<small> Oil on canvas, 650 x 330 cm, [[Musée du Louvre]], Paris</small>
* ''[[Zeus ousting the Vices]]'' (c. 1553) -<small> Oil on canvas, 650 x 330&nbsp;cm, [[Musée du Louvre]], Paris</small>
*[[St. Mark Crowning the Virtue]]'' (c. 1554) -<small> Oil on canvas, 330 x 317 cm, [[Musée du Louvre]], Paris</small>
* [[St. Mark Crowning the Virtue]]'' (c. 1554) -<small> Oil on canvas, 330 x 317 cm, [[Musée du Louvre]], Paris</small>
*''[[Coronation of the Virgin (Veronese)|Coronation of the Virgin]]'' (1555) -<small> Oil on canvas, [[San Sebastiano, Venice]]</small>
* ''[[Coronation of the Virgin (Veronese)|Coronation of the Virgin]]'' (1555) -<small> Oil on canvas, [[San Sebastiano, Venice]]</small>
*''[[La Bella Nani|Portrait of a Woman]]'' (c. 1555-1560) -<small> Oil on canvas, 119 x 103 cm, [[Musée du Louvre]], Paris</small>
* ''[[La Bella Nani|Portrait of a Woman]]'' (c. 1555-1560) -<small> Oil on canvas, 119 x 103 cm, [[Musée du Louvre]], Paris</small>
*[[Annunciation (Veronese)|Annunciation]]'' (c. 1555) -<small> Oil on canvas, 193 x 291 cm, [[Uffizi]], [[Florence]]</small>
* [[Annunciation (Veronese)|Annunciation]]'' (c. 1555) -<small> Oil on canvas, 193 x 291&nbsp;cm, [[Uffizi]], [[Florence]]</small>
*''[[Jesus among the Doctors in the Temple]]'' (1558) -<small> Oil on canvas, 236 x 430 cm, [[Museo del Prado]], Madrid</small>
* ''[[Jesus among the Doctors in the Temple]]'' (1558) -<small> Oil on canvas, 236 x 430&nbsp;cm, [[Museo del Prado]], Madrid</small>
*''[[Assumption of the Virgin (Veronese)|Assumption of the Virgin]]'' (c. 1558) -<small> Oil on canvas, 340 x 455 cm, [[San Zanipolo|San Giovanni e Paolo]], Venice</small>
* ''[[Assumption of the Virgin (Veronese)|Assumption of the Virgin]]'' (c. 1558) -<small> Oil on canvas, 340 x 455&nbsp;cm, [[San Zanipolo|San Giovanni e Paolo]], Venice</small>
*''[[The Marriage at Cana (Veronese)|The Marriage at Cana]]'' (c. 1560) -<small> Oil on canvas, 207 x 457 cm, [[Gemäldegalerie]], Dresden</small>
* ''[[The Marriage at Cana (Veronese)|The Marriage at Cana]]'' (c. 1560) -<small> Oil on canvas, 207 x 457&nbsp;cm, [[Gemäldegalerie]], Dresden</small>
*''[[Portrait of a Man (Veronese)|Portrait of a Man]]'' (c. 1560) -<small> Oil on canvas, 120 x 102 cm, Museum of Fine Arts, Budapest</small>
* ''[[Portrait of a Man (Veronese)|Portrait of a Man]]'' (c. 1560) -<small> Oil on canvas, 120 x 102&nbsp;cm, Museum of Fine Arts, Budapest</small>
*''[[Bacchus Giving Wine to Men]]'' (1560-1561) -<small> Fresco, [[Villa Barbaro]], [[Maser (TV)|Maser]]</small>
* ''[[Bacchus Giving Wine to Men]]'' (1560-1561) -<small> Fresco, [[Villa Barbaro]], [[Maser (TV)|Maser]]</small>
*''[[Giustiniana Giustiniani with Her Nurse]]'' (1560-1561) -<small> Fresco, [[Villa Barbaro]], [[Maser (TV)|Maser]]</small>
* ''[[Giustiniana Giustiniani with Her Nurse]]'' (1560-1561) -<small> Fresco, [[Villa Barbaro]], [[Maser (TV)|Maser]]</small>
*''[[Venus and Adonis (Veronese)|Venus and Adonis]]'' (after 1561) -<small> Oil on canvas, 123 x 174 cm, [[Staatliche Kunstsammlungen]], [[Augsburg]]</small>
* ''[[Venus and Adonis (Veronese)|Venus and Adonis]]'' (after 1561) -<small> Oil on canvas, 123 x 174&nbsp;cm, [[Staatliche Kunstsammlungen]], [[Augsburg]]</small>
*''Virgin in Glory with Saints'' (c. 1562) -<small> Oil on canvas, San Sebastiano, Venice</small>
* ''Virgin in Glory with Saints'' (c. 1562) -<small> Oil on canvas, San Sebastiano, Venice</small>
*''St. John the Baptist Preaching'' (c. 1562) - <small> Oil on canvas, [[Galleria Borghese]], Rome</small>
* ''St. John the Baptist Preaching'' (c. 1562) - <small> Oil on canvas, [[Galleria Borghese]], Rome</small>
*''[[Madonna Enthroned with Saints (Veronese)|Madonna Enthroned with Saints]]'' (c. 1562) -<small> Oil on canvas, 339 x 191 cm, Gallerie dell'Accademia, Venice</small>
* ''[[Madonna Enthroned with Saints (Veronese)|Madonna Enthroned with Saints]]'' (c. 1562) -<small> Oil on canvas, 339 x 191&nbsp;cm, Gallerie dell'Accademia, Venice</small>
*''[[The Marriage at Cana (Veronese)|The Marriage at Cana]]'' (1563) -<small> Oil on canvas, 666 x 990 cm, [[Musée du Louvre]], Paris</small>
* ''[[The Marriage at Cana (Veronese)|The Marriage at Cana]]'' (1563) -<small> Oil on canvas, 666 x 990&nbsp;cm, [[Musée du Louvre]], Paris</small>
*''[[Holy Family and Saints (Veronese)|Holy Family and Saints]]'' (San Zaccaria Altapiece; 1564) -<small> Oil on canvas, 328 x 188 cm, Gallerie dell'Accademia, Venice</small>
* ''[[Holy Family and Saints (Veronese)|Holy Family and Saints]]'' (San Zaccaria Altapiece; 1564) -<small> Oil on canvas, 328 x 188&nbsp;cm, Gallerie dell'Accademia, Venice</small>
*''Sts. [[Mark and Marcellian]] Being Led to Martyrdom'' (1565) -<small> Oil on canvas, [[San Sebastiano, Venice]]</small>
* ''Sts. [[Mark and Marcellian]] Being Led to Martyrdom'' (1565) -<small> Oil on canvas, [[San Sebastiano, Venice]]</small>
*''Martyrdom of St. Sebastian'' (1565) -<small> Oil on canvas, [[San Sebastiano, Venice]]</small>
* ''Martyrdom of St. Sebastian'' (1565) -<small> Oil on canvas, [[San Sebastiano, Venice]]</small>
*''[[The Family of Darius before Alexander]]'' (1565-1570) -<small> Oil on canvas, 236.2 x 475.9 cm, [[National Gallery, London]]</small>
* ''[[The Family of Darius before Alexander]]'' (1565-1570) -<small> Oil on canvas, 236.2 x 475.9&nbsp;cm, [[National Gallery, London]]</small>
*''[[Portrait of Daniele Barbaro]] (1565-1567) -<small> Oil on canvas, 121 x 105.5 cm, [[Rijksmuseum]], [[Amsterdam]]</small>
* ''[[Portrait of Daniele Barbaro]] (1565-1567) -<small> Oil on canvas, 121 x 105.5 cm, [[Rijksmuseum]], [[Amsterdam]]</small>
*''[[The Allegory of Love: Unfaithfulness]]'' (1570) -<small> Oil on canvas, 191 x 191 cm, National Gallery, London</small>
* ''[[The Allegory of Love: Unfaithfulness]]'' (1570) -<small> Oil on canvas, 191 x 191 cm, National Gallery, London</small>
*[[The Resurrection of Christ (Veronese)|''The Resurrection of Christ'']] (c. 1570) -<small> Oil on canvas, 136 x 104 cm, Gemäldegalerie, Dresden</small>
* [[The Resurrection of Christ (Veronese)|''The Resurrection of Christ'']] (c. 1570) -<small> Oil on canvas, 136 x 104 cm, Gemäldegalerie, Dresden</small>
*''[[The Finding of Moses]]'' (c. 1570-1575) -<small> Oil on canvas, [[Kunsthistorisches Museum]], Vienna</small>
* ''[[The Finding of Moses]]'' (c. 1570-1575) -<small> Oil on canvas, [[Kunsthistorisches Museum]], Vienna</small>
*''[[Portrait of a Sculptor (Veronese)|Portrait of a Sculptor]]'' (c. 1750-1585) -<small> Oil on canvas, 110.5 x 89 cm, Metropolitan Museum of Art, New York</small>
* ''[[Portrait of a Sculptor (Veronese)|Portrait of a Sculptor]]'' (c. 1750-1585) -<small> Oil on canvas, 110.5 x 89 cm, Metropolitan Museum of Art, New York</small>
*''[[Battle of Lepanto (Veronese)|Battle of Lepanto]]'' (c. 1572) -<small> Oil on canvas, 169 x 137 cm,Gallerie dell'Accademia, Venice</small>
* ''[[Battle of Lepanto (Veronese)|Battle of Lepanto]]'' (c. 1572) -<small> Oil on canvas, 169 x 137&nbsp;cm,Gallerie dell'Accademia, Venice</small>
*''[[Feast in the House of Levi]]'' (1573) -<small> Oil on canvas, 555 x 1,280 cm, Gallerie dell'Accademia, Venice</small>
* ''[[Feast in the House of Levi]]'' (1573) -<small> Oil on canvas, 555 x 1,280&nbsp;cm, Gallerie dell'Accademia, Venice</small>
*''[[The Martyrdom of St. Justine]]'' (c. 1573) -<small> Oil on canvas, 103 x 113 cm, [[Uffizi]], Florence</small>
* ''[[The Martyrdom of St. Justine]]'' (c. 1573) -<small> Oil on canvas, 103 x 113&nbsp;cm, [[Uffizi]], Florence</small>
*''[[Ceres Renders Homage to Venice]]'' (1575) -<small> Oil on canvas, 309 x 328 cm, Gallerie dell'Accademia, Venice</small>
* ''[[Ceres Renders Homage to Venice]]'' (1575) -<small> Oil on canvas, 309 x 328&nbsp;cm, Gallerie dell'Accademia, Venice</small>
*''[[Mystical Marriage of St. Catherine (Veronese)|Mystical Marriage of St Catherine]]'' (c. 1575) -<small> Oil on canvas, 337 x 241 cm, [[Gallerie dell'Accademia]], Venice</small>
* ''[[Mystical Marriage of St. Catherine (Veronese)|Mystical Marriage of St Catherine]]'' (c. 1575) -<small> Oil on canvas, 337 x 241&nbsp;cm, [[Gallerie dell'Accademia]], Venice</small>
*''[[The Allegory of Love: Unfaithfulness]]'' (c. 1575) -<small> Oil on canvas, 187 x 188 cm, National Gallery, London</small>
* ''[[The Allegory of Love: Unfaithfulness]]'' (c. 1575) -<small> Oil on canvas, 187 x 188&nbsp;cm, National Gallery, London</small>
*''[[Venus, Mars and Love with a Horse]]'' (c. 1575) -<small> Oil on canvas, 47 x 47 cm, [[Galleria Sabauda]], [[Turin]]</small>
* ''[[Venus, Mars and Love with a Horse]]'' (c. 1575) -<small> Oil on canvas, 47 x 47&nbsp;cm, [[Galleria Sabauda]], [[Turin]]</small>
*''[[Pietà (Veronese)|Pietà]]'' (1576-1582) -<small> Oil on canvas, 147 x 115 cm, The [[Hermitage Museum|Hermitage]], St. Petersburg</small>
* ''[[Pietà (Veronese)|Pietà]]'' (1576-1582) -<small> Oil on canvas, 147 x 115&nbsp;cm, The [[Hermitage Museum|Hermitage]], St. Petersburg</small>
*''[[Mars and Venus United by Love]]'' (c. 1578) -<small> Oil on canvas, 205.7 x 161 cm, [[Metropolitan Museum of Art]], New York</small>
* ''[[Mars and Venus United by Love]]'' (c. 1578) -<small> Oil on canvas, 205.7 x 161&nbsp;cm, [[Metropolitan Museum of Art]], New York</small>
*''[[Hermes, Herse and Aglaulus]]'' (1576-1584) -<small> Oil on canvas, 232.4 x 173 cm, [[Fitzwillian Museum]], [[Cambridge]] </small>
* ''[[Hermes, Herse and Aglaulus]]'' (1576-1584) -<small> Oil on canvas, 232.4 x 173&nbsp;cm, [[Fitzwillian Museum]], [[Cambridge]] </small>
*''[[The Rape of Europa (Veronese)|The Rape of Europa]]'' (1580) -<small> Oil on canvas, 240 x 303 cm, Sala dell'Anticollegio, [[Doge's Palace]], Venice</small>
* ''[[The Rape of Europa (Veronese)|The Rape of Europa]]'' (1580) -<small> Oil on canvas, 240 x 303&nbsp;cm, Sala dell'Anticollegio, [[Doge's Palace]], Venice</small>
*''[[Christ and the Centurion, (Veronese)|Christ and the Centurion]]'' (c. 1580) -<small> Oil on canvas, 99.2 x 130.8 cm, Toledo Museum of Art, [[Toledo Museum of Art]], Toledo, OH</small>
* ''[[Christ and the Centurion, (Veronese)|Christ and the Centurion]]'' (c. 1580) -<small> Oil on canvas, 99.2 x 130.8&nbsp;cm, Toledo Museum of Art, [[Toledo Museum of Art]], Toledo, OH</small>
*''[[Lucretia (Veronese)|Lucretia]]'' (1580s) -<small> Oil on canvas, 109 x 90.5 cm, Kunsthistorisches Museum, Vienna</small>
* ''[[Lucretia (Veronese)|Lucretia]]'' (1580s) -<small> Oil on canvas, 109 x 90.5&nbsp;cm, Kunsthistorisches Museum, Vienna</small>
*''[[Christ in the Garden Supported by an Angel]]'' (c. 1580) -<small> Oil on canvas, 80 x 108 cm, [[Pinacoteca di Brera]], Milan</small>
* ''[[Christ in the Garden Supported by an Angel]]'' (c. 1580) -<small> Oil on canvas, 80 x 108&nbsp;cm, [[Pinacoteca di Brera]], Milan</small>
*''[[St. Anthony Preaching to the Fish]]'' (c. 1580) -<small> Oil on canvas, Galleria Borghese, Rome</small>
* ''[[St. Anthony Preaching to the Fish]]'' (c. 1580) -<small> Oil on canvas, Galleria Borghese, Rome</small>
*''[[The Vision of St Helena (Veronese)|The Vision of St. Helena]]'' (c. 1580) -<small> Oil on canvas, 166 x 134 cm, [[Pinacoteca Vaticana]]</small>
* ''[[The Vision of St Helena (Veronese)|The Vision of St. Helena]]'' (c. 1580) -<small> Oil on canvas, 166 x 134&nbsp;cm, [[Pinacoteca Vaticana]]</small>
*''[[Allegory of Wisdom and Strength]]'' (c. 1580) -<small> Oil on canvas, 214.6 x 167 cm, [[Frick Collection]], New York</small>
* ''[[Allegory of Wisdom and Strength]]'' (c. 1580) -<small> Oil on canvas, 214.6 x 167&nbsp;cm, [[Frick Collection]], New York</small>
*''[[Judith and Holofernes (Veronese)|Judith and Holofernes]]'' (c. 1580) -<small> Oil on canvas, 195 x 176 cm, Galleria di [[Palazzo Rosso]], [[Genoa]]</small>
* ''[[Judith and Holofernes (Veronese)|Judith and Holofernes]]'' (c. 1580) -<small> Oil on canvas, 195 x 176&nbsp;cm, Galleria di [[Palazzo Rosso]], [[Genoa]]</small>
*''[[The People of Myra Welcoming St. Nicholas]]'' (c. 1582) -<small> Oil on canvas, diameter: 198 cm, Gallerie dell'Accademia, Venice</small>
* ''[[The People of Myra Welcoming St. Nicholas]]'' (c. 1582) -<small> Oil on canvas, diameter: 198&nbsp;cm, Gallerie dell'Accademia, Venice</small>
*''[[Apotheosis of Venice]]'' (1585) -<small> Oil on canvas, 904 x 579 cm, [[Doge's Palace]], Venice</small>
* ''[[Apotheosis of Venice]]'' (1585) -<small> Oil on canvas, 904 x 579&nbsp;cm, [[Doge's Palace]], Venice</small>
* ''The Conversion of [[Saint Pantaleimon]]'' (1587, Venice, Chiesa di San Pantaleone)
* ''The Conversion of [[Saint Pantaleimon]]'' (1587, Venice, Chiesa di San Pantaleone)
*''[[Portrait of Agostino Barbarigo (Veronese)|Portrait of Agostino Barbarigo]]'' -<small> Oil on canvas, 60 x 48 cm, Museum of Fine Arts, Budapest</small>
* ''[[Portrait of Agostino Barbarigo (Veronese)|Portrait of Agostino Barbarigo]]'' -<small> Oil on canvas, 60 x 48&nbsp;cm, Museum of Fine Arts, Budapest</small>
*''[[Baptism and Temptation of Christ]]'' -<small> Oil on canvas, 245 x 450 cm, [[Pinacoteca di Brera]], Milan</small>
* ''[[Baptism and Temptation of Christ]]'' -<small> Oil on canvas, 245 x 450&nbsp;cm, [[Pinacoteca di Brera]], Milan</small>
*''[[Portrait of a Venetian Woman (Veronese)|Portrait of a Venetian Woman]]'' (''La Bella Nani'')-<small> Oil on canvas, 117.3 x 100.8 cm, [[Alte Pinakothek]], Munich</small>
* ''[[Portrait of a Venetian Woman (Veronese)|Portrait of a Venetian Woman]]'' (''La Bella Nani'')-<small> Oil on canvas, 117.3 x 100.8&nbsp;cm, [[Alte Pinakothek]], Munich</small>
*''[[Susanna in the Bath (Veronese)|Susanna in the Bath]]'' -<small> Oil on canvas, 198 x 198 cm, Musée du Louvre, Paris</small>
* ''[[Susanna in the Bath (Veronese)|Susanna in the Bath]]'' -<small> Oil on canvas, 198 x 198&nbsp;cm, Musée du Louvre, Paris</small>


==Referensi==
== Referensi ==
{{Reflist}}
{{Reflist}}


==Pranala==
== Pranala ==
*{{cite book | first= Sydney J.| last= Freedberg| year=1993| title= Painting in Italy, 1500-1600| chapter= | editor= Pelican History of Art| others= | pages= p550-60 | publisher= Penguin Books Ltd | id= | url= | authorlink= }}
* {{cite book|first= Sydney J.|last= Freedberg|year=1993|title= Painting in Italy, 1500-1600|chapter=|editor= Pelican History of Art|others=|pages= p550-60|publisher= Penguin Books Ltd|id=|url=|authorlink= }}


==Pranala luar==
== Pranala luar ==
* ART VIEW; Homage to a Gentleman of Verona [http://query.nytimes.com/gst/fullpage.html?res=940DE6DE113AF934A15752C1A96E948260&sec=&spon=&pagewanted=all]
* ART VIEW; Homage to a Gentleman of Verona [http://query.nytimes.com/gst/fullpage.html?res=940DE6DE113AF934A15752C1A96E948260&sec=&spon=&pagewanted=all]
* [http://www.kfki.hu/~arthp/bio/v/veronese/biograph.html Veronese biography on Web Gallery of Art] with link to images of many of his paintings
* [http://www.kfki.hu/~arthp/bio/v/veronese/biograph.html Veronese biography on Web Gallery of Art] with link to images of many of his paintings
* [http://www.newadvent.org/cathen/03169b.htm Paolo Caliari] - Biographical article in the 1911 [[Catholic Encyclopedia]]
* [http://www.newadvent.org/cathen/03169b.htm Paolo Caliari] - Biographical article in the 1911 [[Catholic Encyclopedia]]
* For a partial transcript of the inquest on the painting, ''Feast in the House of Levi''[http://puffin.creighton.edu/fapa/aikin/Web-files/ART219%20Webfiles/paolo_veronese.htm].
* For a partial transcript of the inquest on the painting, ''Feast in the House of Levi''[http://puffin.creighton.edu/fapa/aikin/Web-files/ART219%20Webfiles/paolo_veronese.htm] {{Webarchive|url=https://web.archive.org/web/20060911182526/http://puffin.creighton.edu/fapa/aikin/Web-files/ART219%20Webfiles/paolo_veronese.htm |date=2006-09-11 }}.
* [http://www.aiwaz.net/panopticon/veronese-paolo/gc502 Veronese at Panopticon Virtual Art Gallery]
* [http://www.aiwaz.net/panopticon/veronese-paolo/gc502 Veronese at Panopticon Virtual Art Gallery] {{Webarchive|url=https://web.archive.org/web/20121006053352/http://www.aiwaz.net/panopticon/veronese-paolo/gc502 |date=2012-10-06 }}

{{Authority control}}


[[Kategori:Pelukis Italia]]
[[Kategori:Pelukis Italia]]
[[Kategori:Pelukis renaisans]]
[[Kategori:Pelukis renaisans]]

[[bg:Паоло Веронезе]]
[[br:Paolo Veronese]]
[[ca:Paolo Veronese]]
[[de:Paolo Veronese]]
[[el:Πάολο Βερονέζε]]
[[en:Paolo Veronese]]
[[eo:Paolo Veronese]]
[[es:Paolo Veronese]]
[[et:Paolo Veronese]]
[[fr:Paul Véronèse]]
[[gl:Paolo Veronese]]
[[he:פאולו ורונזה]]
[[hr:Paolo Veronese]]
[[it:Paolo Veronese]]
[[ja:パオロ・ヴェロネーゼ]]
[[la:Paulus Veronensis]]
[[mk:Паоло Веронезе]]
[[nl:Paolo Veronese]]
[[no:Veronese]]
[[pl:Paolo Veronese]]
[[pt:Paolo Veronese]]
[[ro:Paolo Veronese]]
[[ru:Паоло Веронезе]]
[[sr:Паоло Веронезе]]
[[sv:Paolo Veronese]]
[[vec:Paolo Veronese]]
[[zh:保罗·委罗内塞]]

Revisi terkini sejak 1 Januari 2024 13.41

Paolo Veronese (1528 - 19 April 1588) adalah seorang pelukis Italia zaman Renaisans di Venice, yang terkenal atas lukisan-lukisannya seperti Perkawinan di Kana dan Pesta di Rumah Levi. Ia mengambil nama Paolo Cagliari atau Paolo Caliari,[1] dan belakangan menjadi dikenal sebagai "Veronese" karena kota kelahirannya di Verona.

Veronese, Titian, dan Tintoretto menjadi tiga serangkai plukis terbaik Venezia (Venice) pada masa Renaissans akhir (tahun 1500-an). Veronese dikenal sebagai seorang ahli warna, dan terkenal akan dekorasi-dekorasi ilusinya baik di lukisan dinding maupun di lukisan cat minyak. Karya-karya terkenalnya adalah perputaran narasi yang diperjelas, yang dilakukannya dalam sebuah gaya Mannerisme yang dramatis dan penuh warna, penuh dengan latar belakang arsitektur yang megah dan arak-arakan yang gilang-cemerlang. Lukisan-lukisan berukuran besarnya tentang berbagai peristiwa perayaan dalam Kitab Suci yang dikerjakannya bagi beberapa ruang makan biara di Venice dan Verona sangatlah terkenal. Kesaksian singkatnya yang diberikan kepada pihak Inkuisisi sering kali dikutip karena pemahamannya yang dalam mengenai teknik lukis kontemporer.

Pesta di Rumah Levi (1573), salah satu lukisan dengan ukuran kanvas terbesar pada abad ke-16. Lukisan ini menyebabkan terjadinya penyelidikan oleh Inkuisisi Katolik Roma selama masa Kontra-Reformasi.
Veronese rumah di Venice.

Daftar karya

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Referensi

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  1. ^ Rearick, W. R.: The Art of Paolo Veronese 1528-1588, page 20. National Gallery of Art, 1988. His earliest known painting is signed "P. Caliari F.," the first known instance in which he used this surname, which he seems to have adopted, since his parents appear not to have had one.

Pranala

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  • Freedberg, Sydney J. (1993). Pelican History of Art, ed. Painting in Italy, 1500-1600. Penguin Books Ltd. hlm. p550–60. 

Pranala luar

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