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Revisi per 20 Agustus 2017 07.55

Ohrwurm (secara harfiah berarti cacing telinga), kadang dikenal dengan nama cacing otak,^[1] musik lekat, atau sindrom lagu tersangkut,^[2] adalah sebuah karya musik menarik yang terus terulang-ulang dalam pikiran seseorang setelah lagu tersebut tak lama diputar.^[3] Frase-frase yang dipakai untuk menyebut ohrwurm meliputi "pengulangan pencitraan musikal", "pencitraan musikal involuter", dan "sindrom lagu tersangkut".^[1]^[4]^[5] Kata Ohrwurm berasal dari bahasa Jerman.^[6] Penggunaan terawal yang diketahui dalam bahasa Inggris adalah dalam novel tahun 1978 Desmond Bagley Flyaway.^[7]

Para peneliti yang mempelajari dan menulis tentang fenomena tersebut meliputi Theodor Reik,^[8] Sean Bennett,^[9] Oliver Sacks,^[1] Daniel Levitin,^[10] James Kellaris,^[11] Philip Beaman,^[12] Vicky Williamson,^[13] dan, dalam sebuah sudut pandang yang lebih teoretikal, Peter Szendy.^[14] Fenomena tersebut adalah hal umum dan tidak selalu sama dengan palinakousis, sebuah kondisi medis langka yang disebabkan oleh kerusakan lobus temporalis pada otak yang mengakibatkan halusinasi auditori.^[15]

Referensi

^ ^a ^b ^c Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. First Vintage Books. hlm. 41–48. ISBN 978-1-4000-3353-9.
^ "Earworms: Why songs get stuck in our heads". 2012-03-07.
^ "Oxford Dictionaries: "earworm"". Oxford University Press. Diakses tanggal July 4, 2013.
^ Liikkanen, L. A. (2012). "Inducing involuntary musical imagery: An experimental study" (PDF). Musicae Scientiae. 16 (2): 217–234. doi:10.1177/1029864912440770.
^ Liikkanen, Lassi A. (2008). "Music in Everymind: Commonality of Involuntary Musical Imagery" (PDF). Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10). Sapporo, Japan: 408–412. ISBN 978-4-9904208-0-2.
^ "earworm", wordspy.com
^ Desmond Bagley, Flyaway (1978), p. 41: "I fell into a blind, mindless rhythm and a chant was created in my mind what the Germans call an 'earworm' something that goes round and round in your head and you can't get rid of it. One bloody foot before the next bloody foot."
^ Reik, Theodor (1953). The Haunting Melody: Psychoanalytic Experiences in Life and Music. New York: Grove Press.
^ Bennett, Sean (August 30, 2002). Musical Imagery Repetition (Tesis Master). Cambridge University. http://www.seanbennett.net/music/essays.html.
^ Levitin, Daniel (2006). This Is Your Brain on Music: The Science of a Human Obsession. New York, New York: Dutton, Penguin. ISBN 0452288525. Diakses tanggal August 7, 2012.
^ Kellaris, James J. (Winter 2001). "Identifying Properties of Tunes That Get 'Stuck in Your Head'". Proceedings of the Society for Consumer Psychology. Scottsdale, AZ: American Psychological Society: 66–67.
^ Beaman, C. P.; Williams, T. I. (2010). "Earworms (stuck song syndrome): Towards a natural history of intrusive thoughts". British Journal of Psychology. 101 (4): 637. doi:10.1348/000712609X479636.
^ Chatterjee, Rhitu (6 March 2012). "Earworms: Why songs get stuck in our heads". BBC News. Diakses tanggal 7 March 2012.
^ Szendy, Peter (2012). Hits. Philosophy in the Jukebox. translated by William Bishop. Fordham University Press.
^ Moore, David R.; Fuchs, Paul Paul Albert; Rees, Adrian; Palmer, Alan; Plack, Christopher J. (January 21, 2010). The Oxford Handbook of Auditory Science: The Auditory Brain. Oxford University Press. hlm. 535. Diakses tanggal July 3, 2013.

Bacaan tambahan

Elizabeth Hellmuth Margulis (2013). On Repeat: How Music Plays the Mind. Oxford University Press. ISBN 978-0199990825.
Vadim Prokhorov (22 June 2006), "Can't get it out of my head", The Guardian
Divya Singhal (December 8, 2011), Why this Kolaveri Di: Maddening Phenomenon of Earworm, SSRN 1969781

Pranala luar

Earworm Project at Goldsmith University of London
"Earworms in TV and pop culture". TV Tropes.
Margulis, Elizabeth Hellmuth (January 16, 2014), "Why Songs Get Stuck in Your Head", The Atlantic

[Musicophilia-1] Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. First Vintage Books. hlm. 41–48. ISBN 978-1-4000-3353-9.

[theworld-2] "Earworms: Why songs get stuck in our heads". 2012-03-07.

[3] "Oxford Dictionaries: "earworm"". Oxford University Press. Diakses tanggal July 4, 2013.

[4] Liikkanen, L. A. (2012). "Inducing involuntary musical imagery: An experimental study" (PDF). Musicae Scientiae. 16 (2): 217–234. doi:10.1177/1029864912440770.

[5] Liikkanen, Lassi A. (2008). "Music in Everymind: Commonality of Involuntary Musical Imagery" (PDF). Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10). Sapporo, Japan: 408–412. ISBN 978-4-9904208-0-2.

[6] "earworm", wordspy.com

[7] Desmond Bagley, Flyaway (1978), p. 41: "I fell into a blind, mindless rhythm and a chant was created in my mind what the Germans call an 'earworm' something that goes round and round in your head and you can't get rid of it. One bloody foot before the next bloody foot."

[8] Reik, Theodor (1953). The Haunting Melody: Psychoanalytic Experiences in Life and Music. New York: Grove Press.

[9] Bennett, Sean (August 30, 2002). Musical Imagery Repetition (Tesis Master). Cambridge University. http://www.seanbennett.net/music/essays.html.

[Levitin-10] Levitin, Daniel (2006). This Is Your Brain on Music: The Science of a Human Obsession. New York, New York: Dutton, Penguin. ISBN 0452288525. Diakses tanggal August 7, 2012.

[11] Kellaris, James J. (Winter 2001). "Identifying Properties of Tunes That Get 'Stuck in Your Head'". Proceedings of the Society for Consumer Psychology. Scottsdale, AZ: American Psychological Society: 66–67.

[beaman-12] Beaman, C. P.; Williams, T. I. (2010). "Earworms (stuck song syndrome): Towards a natural history of intrusive thoughts". British Journal of Psychology. 101 (4): 637. doi:10.1348/000712609X479636.

[13] Chatterjee, Rhitu (6 March 2012). "Earworms: Why songs get stuck in our heads". BBC News. Diakses tanggal 7 March 2012.

[14] Szendy, Peter (2012). Hits. Philosophy in the Jukebox. translated by William Bishop. Fordham University Press.

[15] Moore, David R.; Fuchs, Paul Paul Albert; Rees, Adrian; Palmer, Alan; Plack, Christopher J. (January 21, 2010). The Oxford Handbook of Auditory Science: The Auditory Brain. Oxford University Press. hlm. 535. Diakses tanggal July 3, 2013.

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@@ Baris 1: / Baris 1: @@
 [[Berkas:Ohrwurm a.jpg|thumb|Poster "Pesta Cacing Telinga" di [[Friedrichshafen]].]]
-'''''Ohrwurm''''' (secara harfiah berarti '''cacing telinga'''), kadang dikenal dengan nama '''cacing otak''',<ref name=Musicophilia /> '''musik lekat''', atau '''sindrom lagu terjebak''',<ref name="theworld">{{cite web|url=http://www.bbc.com/news/magazine-17105759|title=Earworms: Why songs get stuck in our heads|date=2012-03-07}}</ref> adalah sebuah karya musik [[kemenarikan|menarik]] yang terus terulang-ulang dalam pikiran seseorang setelah lagu tersebut tak lama diputar.<ref>{{cite web|url=http://oxforddictionaries.com/us/definition/american_english/earworm|publisher=Oxford University Press|title=Oxford Dictionaries: "earworm"|accessdate=July 4, 2013}}</ref> Frase-frase yang dipakai untuk menyebut ''ohrwurm'' meliputi "pengulangan pencitraan musikal", "pencitraan musikal involuter", dan "sindrom lagu terjebak".<ref name=Musicophilia>{{cite book|title=[[Musicophilia]]: Tales of Music and the Brain|first=Oliver|last=Sacks|authorlink=Oliver Sacks|year=2007|publisher=First Vintage Books|isbn=978-1-4000-3353-9|pages=41–48}}</ref><ref>{{Cite journal | last1 = Liikkanen | first1 = L. A. | title = Inducing involuntary musical imagery: An experimental study | doi = 10.1177/1029864912440770 | journal = Musicae Scientiae | volume = 16 | issue = 2 | pages = 217–234 | year = 2012 | url = http://www.helsinki.fi/~liikkane/2011-INMI-MusSci.pdf| pmid =  | pmc = }}</ref><ref>{{cite journal|journal=Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10)|location=Sapporo, Japan|url=http://i.org.helsinki.fi/lassial/files/publications/080904-Music_in_everymind_pdf.pdf|title=Music in Everymind: Commonality of Involuntary Musical Imagery|first=Lassi A.|last=Liikkanen|ISBN=978-4-9904208-0-2|year=2008|pages=408–412}}</ref> Kata ''{{Lang|de|[[Wikt:Ohrwurm|Ohrwurm]]}}'' berasal dari [[bahasa Jerman]].<ref>[http://www.wordspy.com/words/earworm.asp "earworm"], wordspy.com</ref> Penggunaan terawal yang diketahui dalam [[bahasa Inggris]] adalah dalam novel tahun 1978 [[Desmond Bagley]] ''[[Flyaway (novel)|Flyaway]]''.<ref>Desmond Bagley, ''[http://mreadz.com/new/index.php?id=12197&pages=41 Flyaway]'' (1978), p. 41: "I fell into a blind, mindless rhythm and a chant was created in my mind what the Germans call an 'earworm' something that goes round and round in your head and you can't get rid of it. One bloody foot before the next bloody foot."</ref>
+'''''Ohrwurm''''' (secara harfiah berarti '''cacing telinga'''), kadang dikenal dengan nama '''cacing otak''',<ref name=Musicophilia /> '''musik lekat''', atau '''sindrom lagu tersangkut''',<ref name="theworld">{{cite web|url=http://www.bbc.com/news/magazine-17105759|title=Earworms: Why songs get stuck in our heads|date=2012-03-07}}</ref> adalah sebuah karya musik [[kemenarikan|menarik]] yang terus terulang-ulang dalam pikiran seseorang setelah lagu tersebut tak lama diputar.<ref>{{cite web|url=http://oxforddictionaries.com/us/definition/american_english/earworm|publisher=Oxford University Press|title=Oxford Dictionaries: "earworm"|accessdate=July 4, 2013}}</ref> Frase-frase yang dipakai untuk menyebut ''ohrwurm'' meliputi "pengulangan pencitraan musikal", "pencitraan musikal involuter", dan "sindrom lagu tersangkut".<ref name=Musicophilia>{{cite book|title=[[Musicophilia]]: Tales of Music and the Brain|first=Oliver|last=Sacks|authorlink=Oliver Sacks|year=2007|publisher=First Vintage Books|isbn=978-1-4000-3353-9|pages=41–48}}</ref><ref>{{Cite journal | last1 = Liikkanen | first1 = L. A. | title = Inducing involuntary musical imagery: An experimental study | doi = 10.1177/1029864912440770 | journal = Musicae Scientiae | volume = 16 | issue = 2 | pages = 217–234 | year = 2012 | url = http://www.helsinki.fi/~liikkane/2011-INMI-MusSci.pdf| pmid =  | pmc = }}</ref><ref>{{cite journal|journal=Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10)|location=Sapporo, Japan|url=http://i.org.helsinki.fi/lassial/files/publications/080904-Music_in_everymind_pdf.pdf|title=Music in Everymind: Commonality of Involuntary Musical Imagery|first=Lassi A.|last=Liikkanen|ISBN=978-4-9904208-0-2|year=2008|pages=408–412}}</ref> Kata ''{{Lang|de|[[Wikt:Ohrwurm|Ohrwurm]]}}'' berasal dari [[bahasa Jerman]].<ref>[http://www.wordspy.com/words/earworm.asp "earworm"], wordspy.com</ref> Penggunaan terawal yang diketahui dalam [[bahasa Inggris]] adalah dalam novel tahun 1978 [[Desmond Bagley]] ''[[Flyaway (novel)|Flyaway]]''.<ref>Desmond Bagley, ''[http://mreadz.com/new/index.php?id=12197&pages=41 Flyaway]'' (1978), p. 41: "I fell into a blind, mindless rhythm and a chant was created in my mind what the Germans call an 'earworm' something that goes round and round in your head and you can't get rid of it. One bloody foot before the next bloody foot."</ref>
 Para peneliti yang mempelajari dan menulis tentang fenomena tersebut meliputi [[Theodor Reik]],<ref>{{cite book|last=Reik|first=Theodor|year=1953|title=The Haunting Melody: Psychoanalytic Experiences in Life and Music|publisher=Grove Press |location=New York}}</ref> Sean Bennett,<ref>{{cite thesis|url=http://www.seanbennett.net/music/essays.html|first=Sean|last=Bennett|title=Musical Imagery Repetition|publisher=Cambridge University|type=Master|date=August 30, 2002}}</ref> Oliver Sacks,<ref name=Musicophilia /> [[Daniel Levitin]],<ref name="Levitin">{{cite book|last=Levitin|first=Daniel|authorlink=Daniel Levitin|title=This Is Your Brain on Music: The Science of a Human Obsession|url=https://books.google.com/books?id=_B3CEBJhhBQC&pg=PT111&lpg=PT111&dq=%22this+is+your+brain+on+music%22+levitin+ocd&source=bl&ots=w40PV4eN4B&sig=49dLKAkt-Z-GrClnypDP3Aa6agM&hl=en&sa=X&ei=8iYhUM2FHaKC2AWvuYGYCQ&ved=0CF4Q6AEwCA#v=onepage&q=%22this%20is%20your%20brain%20on%20music%22%20levitin%20ocd&f=false|accessdate=August 7, 2012|year=2006|publisher=Dutton, Penguin|location=New York, New York|isbn=0452288525}}</ref> James Kellaris,<ref>{{cite journal|first=James J.|last=Kellaris|title=Identifying Properties of Tunes That Get 'Stuck in Your Head'|journal=Proceedings of the Society for Consumer Psychology|date=Winter 2001|location=Scottsdale, AZ|publisher=American Psychological Society|pages=66–67}}</ref> Philip Beaman,<ref name=beaman>{{Cite journal | last1 = Beaman | first1 = C. P. | last2 = Williams | first2 = T. I. | doi = 10.1348/000712609X479636 | title = Earworms (stuck song syndrome): Towards a natural history of intrusive thoughts | journal = British Journal of Psychology | volume = 101 | issue = 4 | pages = 637 | year = 2010 | pmid =  | pmc = }}</ref> Vicky Williamson,<ref>{{cite web|url=http://www.bbc.co.uk/news/magazine-17105759|title=Earworms: Why songs get stuck in our heads|last=Chatterjee|first=Rhitu|date=6 March 2012|work=BBC News|accessdate=7 March 2012}}</ref> dan, dalam sebuah sudut pandang yang lebih teoretikal, [[Peter Szendy]].<ref>{{cite book|url=http://www.oup.com/us/catalog/general/subject/Music/Philosophy/?view=usa&ci=9780823234387|first=Peter|last=Szendy|title=Hits. Philosophy in the Jukebox|others=translated by William Bishop|publisher=Fordham University Press|year=2012}}</ref> Fenomena tersebut adalah hal umum dan tidak selalu sama dengan [[palinakousis]], sebuah kondisi medis langka yang disebabkan oleh kerusakan [[lobus temporalis]] pada otak yang mengakibatkan [[halusinasi auditori]].<ref>{{cite book|last1=Moore|first1=David R.|last2=Fuchs|first2=Paul Paul Albert|last3=Rees|first3=Adrian|last4=Palmer|first4=Alan|last5=Plack|first5=Christopher J.|title=The Oxford Handbook of Auditory Science: The Auditory Brain|url=https://books.google.com/books?id=BAHHJymFle8C&pg=PA535&lpg=PA535&dq=palinacousis+definition&source=bl&ots=mDbfUoBjxg&sig=xqpE2_HjLVf9sm14qq7JxJ3Ie5s&hl=en&sa=X&ei=R7DTUa_nIuHsyQGc54HoDA&ved=0CEwQ6AEwCTgK#v=onepage&q=palinacousis%20definition&f=false|accessdate=July 3, 2013|date=January 21, 2010|publisher=Oxford University Press|page=535}}</ref>