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Pierrot: Perbedaan antara revisi

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* Gherardi, Evaristo, ed. (1721). ''Le Théâtre Italien de Gherardi ou le Recueil général de toutes les comédies et scènes françoises jouées par les Comédiens Italiens du Roy ...'' 6 vols. Amsterdam: Michel Charles le Cene. Vols. [https://books.google.com/books?id=vDg0AAAAMAAJ&pg=PP9 I], [https://books.google.com/books?id=AzM0AAAAMAAJ&pg=PP9 II], [https://books.google.com/books?id=ZDM0AAAAMAAJ&pg=PP11 III], [https://books.google.com/books?id=6jM0AAAAMAAJ&pg=PP9 IV], [https://books.google.com/books?id=UzQ0AAAAMAAJ&pg=PP9 V], and [https://books.google.com/books?id=zDQ0AAAAMAAJ&pg=PP9 VI] at Google Books.
* Gherardi, Evaristo, ed. (1721). ''Le Théâtre Italien de Gherardi ou le Recueil général de toutes les comédies et scènes françoises jouées par les Comédiens Italiens du Roy ...'' 6 vols. Amsterdam: Michel Charles le Cene. Vols. [https://books.google.com/books?id=vDg0AAAAMAAJ&pg=PP9 I], [https://books.google.com/books?id=AzM0AAAAMAAJ&pg=PP9 II], [https://books.google.com/books?id=ZDM0AAAAMAAJ&pg=PP11 III], [https://books.google.com/books?id=6jM0AAAAMAAJ&pg=PP9 IV], [https://books.google.com/books?id=UzQ0AAAAMAAJ&pg=PP9 V], and [https://books.google.com/books?id=zDQ0AAAAMAAJ&pg=PP9 VI] at Google Books.
* {{Cite book |last=Giraud|first=Albert|translator-last=Richter|translator-first=Gregory C.|title=Albert Giraud's "Pierrot lunaire" |publisher=Truman State University Press |location=Kirksville, MO |year=2001 |pages= | isbn =1-931112-02-9 |oclc= |doi= |accessdate=}}
* {{Cite book |last=Giraud|first=Albert|translator-last=Richter|translator-first=Gregory C.|title=Albert Giraud's "Pierrot lunaire" |publisher=Truman State University Press |location=Kirksville, MO |year=2001 |pages= | isbn =1-931112-02-9 |oclc= |doi= |accessdate=}}
* {{Cite book |last1=Green|first1=Martin |last2=Swan|first2=John|lastauthoramp=yes |title=The Triumph of Pierrot: the Commedia dell’Arte and the modern imagination. ''New ed'' |publisher=[[Pennsylvania State University Press]] |location=University Park, PA |year=1993 |pages= |isbn=002545420X |oclc= |doi= |accessdate= }}
* {{Cite book |last1=Green|first1=Martin |last2=Swan|first2=John|lastauthoramp=yes |title=The Triumph of Pierrot: the Commedia dell’Arte and the modern imagination. ''New ed'' |url=https://archive.org/details/triumphofpierrot0000gree|publisher=[[Pennsylvania State University Press]] |location=University Park, PA |year=1993 |pages= |isbn=002545420X |oclc= |doi= |accessdate= }}
* Gueullette, T.-S. (1938). ''Notes et souvenirs sur le Théâtre-Italien au XVIII<sup>e</sup> siècle''. Pub. J.-E. Gueullette. Paris: E. Droz.
* Gueullette, T.-S. (1938). ''Notes et souvenirs sur le Théâtre-Italien au XVIII<sup>e</sup> siècle''. Pub. J.-E. Gueullette. Paris: E. Droz.
* {{Cite book |last=Hall|first=Michael |title=Music theatre in Britain, 1960-1975 |publisher=The Boydell Press |location=Woodbridge, UK |year=2015 |pages= |isbn=1783270128 |oclc= |doi= |accessdate=|ref=harv}}
* {{Cite book |last=Hall|first=Michael |title=Music theatre in Britain, 1960-1975 |publisher=The Boydell Press |location=Woodbridge, UK |year=2015 |pages= |isbn=1783270128 |oclc= |doi= |accessdate=|ref=harv}}
Baris 78: Baris 78:
* {{Cite book |last=Storey|first=Robert F. |title=Pierrot: a critical history of a mask |url=https://archive.org/details/pierrotcriticalh0000stor|publisher=Princeton University Press |location=Princeton, NJ |year=1978a |pages= |isbn=0-691-06374-5 |oclc= |doi= |accessdate=}}
* {{Cite book |last=Storey|first=Robert F. |title=Pierrot: a critical history of a mask |url=https://archive.org/details/pierrotcriticalh0000stor|publisher=Princeton University Press |location=Princeton, NJ |year=1978a |pages= |isbn=0-691-06374-5 |oclc= |doi= |accessdate=}}
* {{cite journal|last=Storey|first=Robert|year=Fall 1978|title="Shakespeare at the Funambules: a translation of Théophile Gautier's 'Shakspeare aux Funambules' and a commentary|journal=Mime, mask & marionette: a quarterly journal of performing arts|volume=1|issue=3|pages=159–79}}
* {{cite journal|last=Storey|first=Robert|year=Fall 1978|title="Shakespeare at the Funambules: a translation of Théophile Gautier's 'Shakspeare aux Funambules' and a commentary|journal=Mime, mask & marionette: a quarterly journal of performing arts|volume=1|issue=3|pages=159–79}}
* {{Cite book |last=Storey|first=Robert |title=Pierrots on the stage of desire: nineteenth-century French literary artists and the comic pantomime |publisher=Princeton University Press |location=Princeton, NJ |year=1985 |pages= |isbn=0-691-06628-0 |oclc= |doi= |accessdate=}}
* {{Cite book |last=Storey|first=Robert |title=Pierrots on the stage of desire: nineteenth-century French literary artists and the comic pantomime |url=https://archive.org/details/pierrotsonstageo0000stor|publisher=Princeton University Press |location=Princeton, NJ |year=1985 |pages= |isbn=0-691-06628-0 |oclc= |doi= |accessdate=}}
* Švehla, Jaroslav (1977). "Jean Gaspard Deburau: the immortal Pierrot." Tr. Paul Wilson. ''Mime Journal'': 5. (This journal-length article is a translated condensation of Švehla's book-length study ''Deburau, nieśmiertelny Pierrot'' [Prague: Melantrich, 1976].)
* Švehla, Jaroslav (1977). "Jean Gaspard Deburau: the immortal Pierrot." Tr. Paul Wilson. ''Mime Journal'': 5. (This journal-length article is a translated condensation of Švehla's book-length study ''Deburau, nieśmiertelny Pierrot'' [Prague: Melantrich, 1976].)
* {{cite book|last=Taupin|first=René|year=1929|title=L'Influence du symbolisme français sur la poésie américaine (de 1910 à 1920)|location=Paris|publisher=H. Champion}}
* {{cite book|last=Taupin|first=René|year=1929|title=L'Influence du symbolisme français sur la poésie américaine (de 1910 à 1920)|location=Paris|publisher=H. Champion}}

Revisi per 10 November 2021 07.16

Paul Legrand berperan menjadi Pierrot pada sekitar tahun 1855. Foto buatan Nadar.

Pierrot (pengucapan bahasa Prancis: [pjɛʁo]) adalah sebuah karakter stok pantonim dan Commedia dell'Arte yang bermula dari kelompok para pemain akhir abad ketujuh belas yang tampil di Paris dan dikenal sebagai Comédie-Italienne; nama tersebut adalah sebuah hipokorisme dari kata Pierre (Petrus), melalui suffix -ot. Karakternya dalam budaya populer kontemporer—dalam puisi, fiksi, dan seni rupa, serta karya-karya panggung, layar lebar, dan balai konser—adalah seorang badut sedih, yang mengharapkan cinta terhadap Columbine, yang biasanya mematahkan hatinya dan berpaling ke Harlequin. Tampil tanpa topeng, dengan wajah yang diputihkan, ia memakai blus putih dengan kancing-kancing besar dan pantalon putih besar. Terkadang, ia tampil dengan sebuah collaret dan topi

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