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== Pengajaran dan penulisan ==
== Pengajaran dan penulisan ==
Karier akademik bell dimulai pada tahun 1976 sebagai profesor dan dosen senior bahasa Inggris di bidang kajian etnis di [[Universitas California Selatan]].<ref name="hampton2007">{{Cite book|editor-last1=Anderson|editor-first1=Gary L.|editor-last2=Herr|editor-first2=Kathryn G.|last=Hampton|first=Bonita|chapter=Hooks, Bell (1952–)|date=2007|title=Encyclopedia of Activism and Social Justice|publisher=[[SAGE Publishing]]|doi=10.4135/9781412956215.n418|isbn=978-1-4129-1812-1|volume=2|pages=[[iarchive:encyclopediaofac0002unse/page/704/mode/1up|704–706]]}}</ref> Selama tiga tahun bekerja di sana, penerbit asal Los Angeles Golemics menerbitkan karya pertama bell yaitu ''[[chapbook]]'' puisi berjudul ''And There We Wept'' (1978),<ref name="glikin1989">{{Cite book|last=Glikin|first=Ronda|title=Black American Women in Literature: A Bibliography, 1976 through 1987|year=1989|isbn=0-89950-372-1|publisher=[[McFarland & Company]]|oclc=18986103|page=[[iarchive:blackamericanwom0000glik/page/73/mode/1up|73]]}}</ref> yang ditulis dengan nama "bell hooks". Ia menggunakan nama nenek buyut dari pihak ibu sebagai nama pena karena nenek buyut dianggapnya dikenal karena lidahnya yang tajam dan berani, yang ia kagumi. Ia menuliskan nama itu dalam huruf kecil untuk membedakan dirinya dari nenek buyutnya. Ia mengatakan bahwa huruf kecil yang tidak biasa dari namanya menandakan bahwa yang paling penting untuk difokuskan adalah karyanya, bukan kualitas pribadinya: "substansi buku, bukan siapa saya."<ref>{{cite web |url= https://issuu.com/thesandspur/docs/112-17|title=bell hooks Speaks Up | author=Heather Williams | work=The Sandspur |volume=112| issue=17|date=March 26, 2013|via=Issuu }}</ref>
Karier akademik bell dimulai pada tahun 1976 sebagai profesor dan dosen senior bahasa Inggris di bidang kajian etnis di [[Universitas California Selatan]].<ref name="hampton2007">{{Cite book|editor-last1=Anderson|editor-first1=Gary L.|editor-last2=Herr|editor-first2=Kathryn G.|last=Hampton|first=Bonita|chapter=Hooks, Bell (1952–)|date=2007|title=Encyclopedia of Activism and Social Justice|publisher=[[SAGE Publishing]]|doi=10.4135/9781412956215.n418|isbn=978-1-4129-1812-1|volume=2|pages=[[iarchive:encyclopediaofac0002unse/page/704/mode/1up|704–706]]}}</ref> Selama tiga tahun bekerja di sana, penerbit asal Los Angeles Golemics menerbitkan karya pertama bell yaitu ''[[chapbook]]'' puisi berjudul ''And There We Wept'' (1978),<ref name="glikin1989">{{Cite book|last=Glikin|first=Ronda|title=Black American Women in Literature: A Bibliography, 1976 through 1987|year=1989|isbn=0-89950-372-1|publisher=[[McFarland & Company]]|oclc=18986103|page=[[iarchive:blackamericanwom0000glik/page/73/mode/1up|73]]}}</ref> yang ditulis dengan nama "bell hooks". Ia menggunakan nama nenek buyut dari pihak ibu sebagai nama pena karena nenek buyut dianggapnya dikenal karena lidahnya yang tajam dan berani, yang ia kagumi. Ia menulis nama itu dalam huruf kecil untuk membedakan dirinya dari nenek buyutnya. Ia mengatakan bahwa huruf kecil yang tidak biasa dari namanya menandakan bahwa yang paling penting untuk difokuskan adalah karyanya, bukan kehidupan pribadinya.<ref>{{cite web |url= https://issuu.com/thesandspur/docs/112-17|title=bell hooks Speaks Up | author=Heather Williams | work=The Sandspur |volume=112| issue=17|date=March 26, 2013|via=Issuu }}</ref>


She taught at several post-secondary institutions in the early 1980s and 1990s, including the [[University of California, Santa Cruz]], [[San Francisco State University]], [[Yale]] (1985 to 1988, as assistant professor of African and Afro-American studies and English), [[Oberlin College]] (1988 to 1994, as associate professor of American literature and women’s studies), and beginning in 1994, as distinguished professor of English at&nbsp;[[City College of New York]].<ref>{{Cite web|last=Leatherman|first=Courtney|date=May 19, 1995|title=The Real bell hooks|url=https://www.chronicle.com/article/gloria-watkins-the-real-bell-hooks/|url-status=live|access-date=December 16, 2021|website=The Chronicle of Higher Education}}</ref><ref name="gale">"bell hooks." Contemporary Authors Online, Gale, 2010. Literature Resource Center. Accessed June 12, 2018.</ref>
Ia mengajar di beberapa institusi pendidikan tinggi pada awal dasawarsa 1980-an dan 1990-an, termasuk [[Universitas California, Santa Cruz]], [[Universitas Negara Bagian San Francisco]], [[Universitas Yale]] (1985 hingga 1988, sebagai asisten profesor studi Afrika dan Afrika-Amerika dan Inggris), [[Oberlin College]] (1988 hingga 1994, sebagai profesor sastra Amerika dan studi wanita), dan mulai tahun 1994, sebagai profesor bahasa Inggris terkemuka di [[City College of New York]].<ref>{{Cite web|last=Leatherman|first=Courtney|date=May 19, 1995|title=The Real bell hooks|url=https://www.chronicle.com/article/gloria-watkins-the-real-bell-hooks/|url-status=live|access-date=December 16, 2021|website=The Chronicle of Higher Education}}</ref><ref name="gale">"bell hooks." Contemporary Authors Online, Gale, 2010. Literature Resource Center. Accessed June 12, 2018.</ref>


In 1981 [[South End Press]] published her first major work, ''[[Ain't I a Woman? (book)|Ain't I a Woman? Black Women and Feminism]]'', though it was written years earlier while she was an undergraduate student.<ref name="leblanc1997">{{Cite book|editor-last1=Bigelow|editor-first1=Barbara Carlisle|last=Le Blanc|first=Ondine E.|chapter=bell hooks 1952–|title=Contemporary Black Biography|volume=5|year=1997|publisher=[[Gale (publisher)|Gale]]|isbn=978-1-4144-3543-5|oclc=527366247|pages=[[iarchive:contemporaryblac0005unse/page/125/mode/1up|125–129]]|issn=1058-1316}}</ref> In the decades since its publication, ''Ain't I a Woman?'' has been recognized for its contribution to feminist thought, with ''[[Publishers Weekly]]'' in 1992 naming it "One of the twenty most influential women's books in the last 20 years."<ref>{{Cite book|last1=Smith|first1=Gerald L.|url=https://books.google.com/books?id=MPiACgAAQBAJ&dq=belonging+a+culture+of+place+bell+hooks+publishers+weekly&pg=PT620|title=The Kentucky African American Encyclopedia|last2=McDaniel|first2=Karen Cotton|last3=Hardin|first3=John A.|date=August 28, 2015|publisher=University Press of Kentucky|isbn=978-0-8131-6067-2|language=en}}</ref> Writing in ''[[The New York Times]]'' in 2019, [[Min Jin Lee]] said that ''Ain't I a Woman'' "remains a radical and relevant work of political theory. hooks lays the groundwork of her feminist theory by giving historical evidence of the specific sexism that black female slaves endured and how that legacy affects black womanhood today".<ref name=":0" /> ''Ain't I a Woman?'' examines themes including the historical impact of sexism and racism on black women, devaluation of black womanhood,<ref>{{Cite journal|last1=Guy-Sheftall|first1=Beverly|last2=Ikerionwu|first2=Maria K. Mootry|last3=Hooks|first3=Bell|date=1983|title=Black Women and Feminism: Two Reviews|journal=Phylon|volume=44|issue=1|pages=84|doi=10.2307/274371|jstor=274371}}</ref> media roles and portrayal, the education system, the idea of a [[White supremacy|white-supremacist]]-[[Capitalism|capitalist]]-[[patriarchy]], the [[marginalization]] of black women,<ref name="wakemalpas2913">{{Cite book|title=The Routledge Companion to Critical and Cultural Theory|date=June 19, 2013|publisher=[[Routledge]]|isbn=978-1-134-12327-8|editor-last=Wake|editor-first=Paul|pages=241–242|doi=10.4324/9780203520796|url=http://nectar.northampton.ac.uk/13362/1/Daly_Glyn_ROU_2013_Marxism.pdf|editor-last2=Malpas|editor-first2=Simon}}</ref> and the disregard for issues of race and class within feminism.
In 1981 [[South End Press]] published her first major work, ''[[Ain't I a Woman? (book)|Ain't I a Woman? Black Women and Feminism]]'', though it was written years earlier while she was an undergraduate student.<ref name="leblanc1997">{{Cite book|editor-last1=Bigelow|editor-first1=Barbara Carlisle|last=Le Blanc|first=Ondine E.|chapter=bell hooks 1952–|title=Contemporary Black Biography|volume=5|year=1997|publisher=[[Gale (publisher)|Gale]]|isbn=978-1-4144-3543-5|oclc=527366247|pages=[[iarchive:contemporaryblac0005unse/page/125/mode/1up|125–129]]|issn=1058-1316}}</ref> In the decades since its publication, ''Ain't I a Woman?'' has been recognized for its contribution to feminist thought, with ''[[Publishers Weekly]]'' in 1992 naming it "One of the twenty most influential women's books in the last 20 years."<ref>{{Cite book|last1=Smith|first1=Gerald L.|url=https://books.google.com/books?id=MPiACgAAQBAJ&dq=belonging+a+culture+of+place+bell+hooks+publishers+weekly&pg=PT620|title=The Kentucky African American Encyclopedia|last2=McDaniel|first2=Karen Cotton|last3=Hardin|first3=John A.|date=August 28, 2015|publisher=University Press of Kentucky|isbn=978-0-8131-6067-2|language=en}}</ref> Writing in ''[[The New York Times]]'' in 2019, [[Min Jin Lee]] said that ''Ain't I a Woman'' "remains a radical and relevant work of political theory. hooks lays the groundwork of her feminist theory by giving historical evidence of the specific sexism that black female slaves endured and how that legacy affects black womanhood today".<ref name=":0" /> ''Ain't I a Woman?'' examines themes including the historical impact of sexism and racism on black women, devaluation of black womanhood,<ref>{{Cite journal|last1=Guy-Sheftall|first1=Beverly|last2=Ikerionwu|first2=Maria K. Mootry|last3=Hooks|first3=Bell|date=1983|title=Black Women and Feminism: Two Reviews|journal=Phylon|volume=44|issue=1|pages=84|doi=10.2307/274371|jstor=274371}}</ref> media roles and portrayal, the education system, the idea of a [[White supremacy|white-supremacist]]-[[Capitalism|capitalist]]-[[patriarchy]] and the [[marginalization]] of black women.<ref name="wakemalpas2913">{{Cite book|title=The Routledge Companion to Critical and Cultural Theory|date=June 19, 2013|publisher=[[Routledge]]|isbn=978-1-134-12327-8|editor-last=Wake|editor-first=Paul|pages=241–242|doi=10.4324/9780203520796|url=http://nectar.northampton.ac.uk/13362/1/Daly_Glyn_ROU_2013_Marxism.pdf|editor-last2=Malpas|editor-first2=Simon}}</ref>


[[File:bellhooks.jpg|thumb|bell hooks in 2009]]
[[Berkas:bellhooks.jpg|thumb|bell hooks in 2009]]
bell also became significant as a leftist and [[Postmodern philosophy|postmodern]] political thinker and [[cultural critic]].<ref>{{Cite web|date=January 1, 1995|title=bell hooks|url=https://www.utne.com/arts/bell-hooks-postmodernism-racism-sexism/|url-status=live|access-date=December 16, 2021|website=Utne|language=en-US}}</ref> She published more than 30&nbsp;books,<ref name="Guardian obit" /> ranging in topics from black men, [[patriarchy]], and [[masculinity]] to self-help; engaged [[pedagogy]] to personal memoirs; and sexuality (in regards to feminism and politics of aesthetics and [[visual culture]]). ''Reel to Real: race, sex, and class at the movies'' (1996) collects film essays, reviews, and interviews with film directors.<ref>{{Cite journal|last=Winchester|first=James|year=1999|title=Reel to Real: Race, Sex, and Class at the Movies|journal=[[The Journal of Aesthetics and Art Criticism]]|volume=57|issue=3|pages=388|doi=10.2307/432214|jstor=432214}}</ref> In ''[[The New Yorker]]'', [[Hua Hsu]] said these interviews displayed the facet of hooks's work that was "curious, empathetic, searching for comrades".<ref name=":1" />

hooks also became significant as a leftist and [[Postmodern philosophy|postmodern]] political thinker and [[cultural critic]].<ref>{{Cite web|date=January 1, 1995|title=bell hooks|url=https://www.utne.com/arts/bell-hooks-postmodernism-racism-sexism/|url-status=live|access-date=December 16, 2021|website=Utne|language=en-US}}</ref> She published more than 30&nbsp;books,<ref name="Guardian obit" /> ranging in topics from black men, [[patriarchy]], and [[masculinity]] to self-help; engaged [[pedagogy]] to personal memoirs; and sexuality (in regards to feminism and politics of aesthetics and [[visual culture]]). ''Reel to Real: race, sex, and class at the movies'' (1996) collects film essays, reviews, and interviews with film directors.<ref>{{Cite journal|last=Winchester|first=James|year=1999|title=Reel to Real: Race, Sex, and Class at the Movies|journal=[[The Journal of Aesthetics and Art Criticism]]|volume=57|issue=3|pages=388|doi=10.2307/432214|jstor=432214}}</ref> In ''[[The New Yorker]]'', [[Hua Hsu]] said these interviews displayed the facet of hooks's work that was "curious, empathetic, searching for comrades".<ref name=":1" />


In ''[[Feminist Theory: From Margin to Center]]'' (1984), hooks develops a critique of white feminist racism in [[second-wave feminism]], which she argued undermined the possibility of feminist solidarity across racial lines.<ref>{{Cite journal|last=Isoke|first=Zenzele|date=December 2019|title=bell hooks: 35 Years from Margin to Center – Feminist Theory: From Margin to Center. By bell hooks. New York: Routledge, [1984] 2015. 180 pp. 23.96 (paperback).|url=https://www.cambridge.org/core/journals/politics-and-gender/article/bell-hooks-35-years-from-margin-to-center-feminist-theory-from-margin-to-center-by-bell-hooks-new-york-routledge-1984-2015-180-pp-13600-hardcover-2396-paperback/E9F9D383EB7C5790E4A343F1F82B6254|journal=Politics & Gender|language=en|volume=15|issue=4|doi=10.1017/S1743923X19000643|s2cid=216525770|issn=1743-923X}}</ref>
In ''[[Feminist Theory: From Margin to Center]]'' (1984), hooks develops a critique of white feminist racism in [[second-wave feminism]], which she argued undermined the possibility of feminist solidarity across racial lines.<ref>{{Cite journal|last=Isoke|first=Zenzele|date=December 2019|title=bell hooks: 35 Years from Margin to Center – Feminist Theory: From Margin to Center. By bell hooks. New York: Routledge, [1984] 2015. 180 pp. 23.96 (paperback).|url=https://www.cambridge.org/core/journals/politics-and-gender/article/bell-hooks-35-years-from-margin-to-center-feminist-theory-from-margin-to-center-by-bell-hooks-new-york-routledge-1984-2015-180-pp-13600-hardcover-2396-paperback/E9F9D383EB7C5790E4A343F1F82B6254|journal=Politics & Gender|language=en|volume=15|issue=4|doi=10.1017/S1743923X19000643|s2cid=216525770|issn=1743-923X}}</ref>

Revisi per 16 Desember 2021 19.00

bell hooks
bell hooks pada Oktober 2014
LahirGloria Jean Watkins
(1952-09-25)25 September 1952
Hopkinsville, Kentucky, Amerika Serikat
Meninggal15 Desember 2021(2021-12-15) (umur 69)
Berea, Kentucky, Amerika Serikat
Pendidikan
Pekerjaan
  • Author
  • academic
  • activist
Tahun aktif1978–2018
Dikenal atasOppositional gaze
Karya terkenal
Situs webbellhooksinstitute.com
IMDB: nm0393654 X: bellhooks Modifica els identificadors a Wikidata

Gloria Jean Watkins (25 September 1952 – 15 Desember 2021), yang lebih dikenal lewat nama penanya bell hooks,[1] adalah penulis, profesor, feminis, dan aktivis sosial Amerika Serikat. Nama "bell hooks" berasal dari nama nenek buyutnya, Bell Blair Hooks.[2]

Fokus tulisan bell adalah interseksionalitas ras, kapitalisme, gender, dan apa yang dia gambarkan sebagai kemampuan mereka untuk memproduksi dan melanggengkan sistem penindasan dan dominasi kelas. Ia menerbitkan lebih dari 30 buku dan banyak artikel ilmiah, tampil dalam film dokumenter, dan ikut serta dalam kuliah umum. Karyanya membahas ras, kelas, gender, seni, sejarah, seksualitas, media massa, dan feminisme.[3] Pada tahun 2014, ia mendirikan bell hooks Institute di Berea College, Berea, Kentucky.[4]

Biografi

Gloria Jean Watkins lahir pada 25 September 1952 di Hopkinsville,[5] sebuah kota kecil yang terpisah di Kentucky,[6] dari pasangan pekerja berketurunan Afrika-Amerika. Gloria adalah satu di antara enam bersaudara yang lahir dari Rosa Bell Watkins (née Oldham) dan Veodis Watkins. Ayahnya bekerja sebagai petugas kebersihan dan ibunya bekerja sebagai pembantu di rumah keluarga Kaukasia.[7]

Gloria bersekolah di sekolah neegri yang dipisahkan secara rasial dan kemudian pindah ke sekolah terpadu pada akhir dasawarsa 1960-an.[8] Ia lulus dari Sekolah Menengah Atas Hopkinsville sebelum memperoleh gelar BA di bidang bahasa Inggris dari Universitas Stanford pada tahun 1973,[9] dan gelar MA di bidang bahasa Inggris dari Universitas Wisconsin–Madison pada tahun 1976.[10] Pada saat itu, Watkins yang berusia 24 tahun sedang menulis bukunya berjudul Ain't I a Woman: Black Women and Feminism yang diterbitkan pada tahun 1981.[11]

Setelah beberapa tahun mengajar dan menulis, ia menyelesaikan gelar doktor di bidang bahasa Inggris di Universitas California, Santa Cruz pada tahun 1983. Ia menulis disertasi tentang penulis Toni Morrison pada tahun 1987.[9][12][13]

Ia mendeskripsikan identitas seksualnya sebagai "queer-pas-gay".[14][15]

Pada 15 Desember 2021, bell meninggal akibat gagal ginjal di rumahnya di Berea, Kentucky pada usia 69 tahun.[16][5] Ia dikelilingi oleh keluarga dan kawan-kawannya ketika meninggal.[17]

Pengajaran dan penulisan

Karier akademik bell dimulai pada tahun 1976 sebagai profesor dan dosen senior bahasa Inggris di bidang kajian etnis di Universitas California Selatan.[18] Selama tiga tahun bekerja di sana, penerbit asal Los Angeles Golemics menerbitkan karya pertama bell yaitu chapbook puisi berjudul And There We Wept (1978),[19] yang ditulis dengan nama "bell hooks". Ia menggunakan nama nenek buyut dari pihak ibu sebagai nama pena karena nenek buyut dianggapnya dikenal karena lidahnya yang tajam dan berani, yang ia kagumi. Ia menulis nama itu dalam huruf kecil untuk membedakan dirinya dari nenek buyutnya. Ia mengatakan bahwa huruf kecil yang tidak biasa dari namanya menandakan bahwa yang paling penting untuk difokuskan adalah karyanya, bukan kehidupan pribadinya.[20]

Ia mengajar di beberapa institusi pendidikan tinggi pada awal dasawarsa 1980-an dan 1990-an, termasuk Universitas California, Santa Cruz, Universitas Negara Bagian San Francisco, Universitas Yale (1985 hingga 1988, sebagai asisten profesor studi Afrika dan Afrika-Amerika dan Inggris), Oberlin College (1988 hingga 1994, sebagai profesor sastra Amerika dan studi wanita), dan mulai tahun 1994, sebagai profesor bahasa Inggris terkemuka di City College of New York.[21][22]

In 1981 South End Press published her first major work, Ain't I a Woman? Black Women and Feminism, though it was written years earlier while she was an undergraduate student.[8] In the decades since its publication, Ain't I a Woman? has been recognized for its contribution to feminist thought, with Publishers Weekly in 1992 naming it "One of the twenty most influential women's books in the last 20 years."[23] Writing in The New York Times in 2019, Min Jin Lee said that Ain't I a Woman "remains a radical and relevant work of political theory. hooks lays the groundwork of her feminist theory by giving historical evidence of the specific sexism that black female slaves endured and how that legacy affects black womanhood today".[12] Ain't I a Woman? examines themes including the historical impact of sexism and racism on black women, devaluation of black womanhood,[24] media roles and portrayal, the education system, the idea of a white-supremacist-capitalist-patriarchy and the marginalization of black women.[25]

bell hooks in 2009

bell also became significant as a leftist and postmodern political thinker and cultural critic.[26] She published more than 30 books,[16] ranging in topics from black men, patriarchy, and masculinity to self-help; engaged pedagogy to personal memoirs; and sexuality (in regards to feminism and politics of aesthetics and visual culture). Reel to Real: race, sex, and class at the movies (1996) collects film essays, reviews, and interviews with film directors.[27] In The New Yorker, Hua Hsu said these interviews displayed the facet of hooks's work that was "curious, empathetic, searching for comrades".[7]

In Feminist Theory: From Margin to Center (1984), hooks develops a critique of white feminist racism in second-wave feminism, which she argued undermined the possibility of feminist solidarity across racial lines.[28]

hooks argued that communication and literacy (the ability to read, write, and think critically) are necessary for the feminist movement because without them people may not grow to recognize gender inequalities in society.[29]

In 2002, hooks gave a commencement speech at Southwestern University. Eschewing the congratulatory mode of traditional commencement speeches, she spoke against what she saw as government-sanctioned violence and oppression, and admonished students who she believed went along with such practices.[30][31] The Austin Chronicle reported that many in the audience booed the speech, though "several graduates passed over the provost to shake her hand or give her a hug".[30]

In 2004, she joined Berea College as Distinguished Professor in Residence.[32] Her 2008 book, belonging: a culture of place, includes an interview with author Wendell Berry as well as a discussion of her move back to Kentucky.[33] She was a scholar in residence at The New School on three occasions.[34]

She was inducted into the Kentucky Writers Hall of Fame in 2018.[16]

Filmography

Awards and nominations

Select bibliography

Books

Children's books

Book chapters

Catatan

  1. ^ a b This may be a working title. See talk page.

Referensi

  1. ^ Dinitia Smith (September 28, 2006). "Tough arbiter on the web has guidance for writers". The New York Times. hlm. E3. But the Chicago Manual says it is not all right to capitalize the name of the writer bell hooks because she insists that it be lower case. 
  2. ^ hooks, bell, "Inspired Eccentricity: Sarah and Gus Oldham" in Sharon Sloan Fiffer and Steve Fiffer (eds), Family: American Writers Remember Their Own, New York: Vintage Books, 1996, p. 152.
    hooks, bell, Talking Back, Routledge, 2014 [1989], p. 161.
  3. ^ Hsu, Hua (December 15, 2021). "The Revolutionary Writing of bell hooks". The New Yorker (dalam bahasa Inggris). Diakses tanggal December 16, 2021. 
  4. ^ "About the bell hooks institute". bell hooks institute. Diarsipkan dari versi asli tanggal April 25, 2016. Diakses tanggal April 23, 2016. 
  5. ^ a b Risen, Clay (December 15, 2021). "bell hooks, Pathbreaking Black Feminist, Dies at 69"Perlu langganan berbayar. The New York Times (dalam bahasa Inggris). ISSN 0362-4331. Diakses tanggal December 15, 2021. 
  6. ^ Medea, Andra (1997). "hooks, bell (1952–)". Dalam Hine, Darlene Clark. Facts on File Encyclopedia of Black Women in America. New York: Facts on File. hlm. 100–101. ISBN 0-8160-3425-7. OCLC 35209436. 
  7. ^ a b Hsu, Hua (December 15, 2021). "The Revolutionary Writing of bell hooks". The New Yorker (dalam bahasa Inggris). Diakses tanggal December 16, 2021. 
  8. ^ a b Le Blanc, Ondine E. (1997). "bell hooks 1952–". Dalam Bigelow, Barbara Carlisle. Contemporary Black Biography. 5. Gale. hlm. 125–129. ISBN 978-1-4144-3543-5. ISSN 1058-1316. OCLC 527366247. 
  9. ^ a b c Kumar, Lisa, ed. (2007). "hooks, bell 1952–". Something about the Author. 170. Gale. hlm. 112–116. ISBN 978-1-4144-1071-5. ISSN 0276-816X. OCLC 507358041. 
  10. ^ Scanlon, Jennifer (1999). Significant Contemporary American Feminists: A Biographical Sourcebook. Westport, CT: Greenwood Press. hlm. 125–132. ISBN 978-0313301254. 
  11. ^ "bell hooks | Biography, Books, & Facts". Encyclopedia Britannica (dalam bahasa Inggris). Diakses tanggal October 4, 2021. 
  12. ^ a b Lee, Min Jin (February 28, 2019). "In Praise of bell hooks". The New York Times (dalam bahasa Inggris). ISSN 0362-4331. Diakses tanggal December 15, 2021. 
  13. ^ Hooks, Bell (1983) (dalam bahasa English). Keeping a hold on life: reading Toni Morrison's fiction (Tesis). OCLC 9514473. https://www.worldcat.org/title/keeping-a-hold-on-life-reading-toni-morrisons-fiction/oclc/9514473.  WorldCat.
  14. ^ Ring, Trudy (December 15, 2021). "Queer Black Feminist Writer bell hooks Dies at 69". The Advocate. Diakses tanggal December 15, 2021. 
  15. ^ Nast, Condé (12 March 2019). "How bell hooks Paved the Way for Intersectional Feminism". them. Diakses tanggal 16 December 2021. 
  16. ^ a b c Knight, Lucy (December 15, 2021). "bell hooks, author and activist, dies aged 69". The Guardian. Diakses tanggal December 15, 2021. 
  17. ^ "bell hooks: Author and feminist dies aged 69". BBC News (dalam bahasa Inggris). December 15, 2021. Diakses tanggal December 16, 2021. 
  18. ^ Hampton, Bonita (2007). "Hooks, Bell (1952–)". Dalam Anderson, Gary L.; Herr, Kathryn G. Encyclopedia of Activism and Social Justice. 2. SAGE Publishing. hlm. 704–706. doi:10.4135/9781412956215.n418. ISBN 978-1-4129-1812-1. 
  19. ^ Glikin, Ronda (1989). Black American Women in Literature: A Bibliography, 1976 through 1987. McFarland & Company. hlm. 73. ISBN 0-89950-372-1. OCLC 18986103. 
  20. ^ Heather Williams (March 26, 2013). "bell hooks Speaks Up". The Sandspur – via Issuu. 
  21. ^ Leatherman, Courtney (May 19, 1995). "The Real bell hooks". The Chronicle of Higher Education. Diakses tanggal December 16, 2021. 
  22. ^ "bell hooks." Contemporary Authors Online, Gale, 2010. Literature Resource Center. Accessed June 12, 2018.
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