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| website = {{url|http://www.dogsugar.co.jp/hanae-kan.html}}
| website = {{url|http://www.dogsugar.co.jp/hanae-kan.html}}
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{{nihongo|'''Hanae Kan'''|韓 英恵|Kan Hanae|{{lahirmati||7|11|1990}}}}<ref name="oricon profile">{{cite web | url=https://www.oricon.co.jp/prof/295807/profile/ | title=韓英恵のプロフィール | trans-title=Hanae Kan's profile | language=ja | work=[[Oricon]] | accessdate=2019-04-29}}</ref> adalah [[aktris]] asal [[Jepang]]. Kan memulai debut filmnya pada tahun 2001 dalam ''[[Pistol Opera]]''. Ia juga berperan dalam film ''[[Nobody Knows (film 2004)|Nobody Knows]]'', ''Dead Run'', ''Memo'', dan ''Asia no Junshin''.<ref name="oricon profile"/>
{{nihongo|'''Hanae Kan'''|韓 英恵|Kan Hanae|{{lahirmati||7|11|1990}}}}<ref name="oricon profile">{{cite web | url=https://www.oricon.co.jp/prof/295807/profile/ | title=韓英恵のプロフィール | trans-title=Hanae Kan's profile | language=ja | work=[[Oricon]] | accessdate=2019-04-29 | archive-date=2019-11-10 | archive-url=https://web.archive.org/web/20191110102551/https://www.oricon.co.jp/prof/295807/profile/ | dead-url=no }}</ref> adalah [[aktris]] asal [[Jepang]]. Kan memulai debut filmnya pada tahun 2001 dalam ''[[Pistol Opera]]''. Ia juga berperan dalam film ''[[Nobody Knows (film 2004)|Nobody Knows]]'', ''Dead Run'', ''Memo'', dan ''Asia no Junshin''.<ref name="oricon profile"/>


== Kehidupan awal ==
== Kehidupan awal ==
Kan lahir di [[Perfektur Shizuoka]], [[Jepang]] dari ayah Korea dan ibu Jepang. Ia lancar dalam berbahasa Jepang dan Korea.<ref>{{cite web | first=Ai | last=Ikegami | url=https://www.wani.co.jp/act/interview/interview.php?id=38 | title=Interview 韓英恵 | trans-title=Interview with Hanae Kan | language=ja | work=[[Wani Books]] | accessdate=2019-11-10}}</ref>
Kan lahir di [[Perfektur Shizuoka]], [[Jepang]] dari ayah Korea dan ibu Jepang. Ia lancar dalam berbahasa Jepang dan Korea.<ref>{{cite web | first=Ai | last=Ikegami | url=https://www.wani.co.jp/act/interview/interview.php?id=38 | title=Interview 韓英恵 | trans-title=Interview with Hanae Kan | language=ja | work=[[Wani Books]] | accessdate=2019-11-10 | archive-date=2022-09-08 | archive-url=https://web.archive.org/web/20220908110830/https://www.wani.co.jp/act/interview/interview.php?id=38 | dead-url=no }}</ref>


== Filmografi ==
== Filmografi ==
Baris 65: Baris 65:
|''[[Petal Dance]]''
|''[[Petal Dance]]''
| Kyoko
| Kyoko
| Peran pendukung<ref>{{cite news | first=Mark | last=Schilling | title='Petaru Dansu (Petal Dance)' | url=https://www.japantimes.co.jp/culture/2013/04/19/films/film-reviews/petaru-dansu-petal-dance/#.Xcfaq697nIU | work=[[The Japan Times]] | date=2013-04-19 | accessdate=2019-11-10 }}</ref>
| Peran pendukung<ref>{{cite news | first=Mark | last=Schilling | title='Petaru Dansu (Petal Dance)' | url=https://www.japantimes.co.jp/culture/2013/04/19/films/film-reviews/petaru-dansu-petal-dance/#.Xcfaq697nIU | work=[[The Japan Times]] | date=2013-04-19 | accessdate=2019-11-10 | archive-date=2022-01-24 | archive-url=https://web.archive.org/web/20220124055753/https://www.japantimes.co.jp/culture/2013/04/19/films/film-reviews/petaru-dansu-petal-dance/#.Xcfaq697nIU | dead-url=no }}</ref>
|-
|-
| rowspan="2" | 2015
| rowspan="2" | 2015
|''[[Their Distance]]''
|''[[Their Distance]]''
| Han Suna
| Han Suna
| Peran utama<ref>{{cite news | first=Mark | last=Schilling | title=‘Their Distance’ explores the pain of being young and in love | url=https://www.japantimes.co.jp/culture/2015/12/30/films/film-reviews/distance-explores-pain-young-love/#.W7LdD_lRfIU | work=[[The Japan Times]] | date=2015-12-30 | accessdate=2018-10-01 }}</ref><ref>{{cite news | first=Elizabeth | last=Kerr | title='Their Distance': Filmart/Hong Kong Review | url=https://www.hollywoodreporter.com/review/distance-filmart-hong-kong-review-876050 | work=[[The Hollywood Reporter]] | date=2016-03-15 | accessdate=2018-10-01 }}</ref>
| Peran utama<ref>{{cite news | first=Mark | last=Schilling | title=‘Their Distance’ explores the pain of being young and in love | url=https://www.japantimes.co.jp/culture/2015/12/30/films/film-reviews/distance-explores-pain-young-love/#.W7LdD_lRfIU | work=[[The Japan Times]] | date=2015-12-30 | accessdate=2018-10-01 | archive-date=2019-12-08 | archive-url=https://web.archive.org/web/20191208064012/https://www.japantimes.co.jp/culture/2015/12/30/films/film-reviews/distance-explores-pain-young-love/#.W7LdD_lRfIU | dead-url=no }}</ref><ref>{{cite news | first=Elizabeth | last=Kerr | title='Their Distance': Filmart/Hong Kong Review | url=https://www.hollywoodreporter.com/review/distance-filmart-hong-kong-review-876050 | work=[[The Hollywood Reporter]] | date=2016-03-15 | accessdate=2018-10-01 | archive-date=2019-11-10 | archive-url=https://web.archive.org/web/20191110102551/https://www.hollywoodreporter.com/review/distance-filmart-hong-kong-review-876050 | dead-url=no }}</ref>
|-
|-
|''West North West''
|''West North West''
| Kei
| Kei
| Peran utama<ref>{{cite news | first=Justin | last=Chang | title=Busan Film Review: ‘West North West’ | url=https://variety.com/2015/film/festivals/busan-film-review-west-north-west-1201610353/ | work=[[Variety (magazine)|Variety]] | date=2015-10-05 | accessdate=2019-11-10 }}</ref>
| Peran utama<ref>{{cite news | first=Justin | last=Chang | title=Busan Film Review: ‘West North West’ | url=https://variety.com/2015/film/festivals/busan-film-review-west-north-west-1201610353/ | work=[[Variety (magazine)|Variety]] | date=2015-10-05 | accessdate=2019-11-10 | archive-date=2022-08-26 | archive-url=https://web.archive.org/web/20220826025639/https://variety.com/2015/film/festivals/busan-film-review-west-north-west-1201610353/ | dead-url=no }}</ref>
|-
|-
| rowspan="2" | 2016
| rowspan="2" | 2016
|''Bitter Honey''
|''Bitter Honey''
| Maruko Maruta
| Maruko Maruta
| <ref>{{cite news | first=Mark | last=Schilling | title='Bitter Honey': Fishing for the love of a writer | url=https://www.japantimes.co.jp/culture/2016/03/30/films/film-reviews/fishing-love-writer/#.Xcfa1K97nIU | work=[[The Japan Times]] | date=2016-03-20 | accessdate=2019-11-10 }}</ref>
| <ref>{{cite news | first=Mark | last=Schilling | title='Bitter Honey': Fishing for the love of a writer | url=https://www.japantimes.co.jp/culture/2016/03/30/films/film-reviews/fishing-love-writer/#.Xcfa1K97nIU | work=[[The Japan Times]] | date=2016-03-20 | accessdate=2019-11-10 | archive-date=2021-04-10 | archive-url=https://web.archive.org/web/20210410195205/https://www.japantimes.co.jp/culture/2016/03/30/films/film-reviews/fishing-love-writer/#.Xcfa1K97nIU | dead-url=no }}</ref>
|-
|-
|''Yamato (California)''
|''Yamato (California)''
| Sakura
| Sakura
| Peran utama<ref>{{cite news | first=Mark | last=Schilling | title='Yamato (California)': Hanae Kan does well as an aspiring rapper that's straight outta Japan | url=https://www.japantimes.co.jp/culture/2018/04/04/films/film-reviews/yamato-california-hanae-kan-well-aspiring-rapper-thats-straight-outta-japan/#.XcfZJa97nIU | work=[[The Japan Times]] | date=2018-04-04 | accessdate=2019-11-10 }}</ref><ref>{{cite news | first=Clarence | last=Tsui | title='Yamato (California)': Film Review | url=https://www.hollywoodreporter.com/review/yamato-california-review-967946 | work=[[The Hollywood Reporter]] | date=2017-01-27 | accessdate=2019-11-10 }}</ref>
| Peran utama<ref>{{cite news | first=Mark | last=Schilling | title='Yamato (California)': Hanae Kan does well as an aspiring rapper that's straight outta Japan | url=https://www.japantimes.co.jp/culture/2018/04/04/films/film-reviews/yamato-california-hanae-kan-well-aspiring-rapper-thats-straight-outta-japan/#.XcfZJa97nIU | work=[[The Japan Times]] | date=2018-04-04 | accessdate=2019-11-10 | archive-date=2022-05-20 | archive-url=https://web.archive.org/web/20220520050215/https://www.japantimes.co.jp/culture/2018/04/04/films/film-reviews/yamato-california-hanae-kan-well-aspiring-rapper-thats-straight-outta-japan/#.XcfZJa97nIU | dead-url=no }}</ref><ref>{{cite news | first=Clarence | last=Tsui | title='Yamato (California)': Film Review | url=https://www.hollywoodreporter.com/review/yamato-california-review-967946 | work=[[The Hollywood Reporter]] | date=2017-01-27 | accessdate=2019-11-10 | archive-date=2020-10-28 | archive-url=https://web.archive.org/web/20201028204906/https://www.hollywoodreporter.com/review/yamato-california-review-967946 | dead-url=no }}</ref>
|-
|-
| 2017
| 2017
|''Love and Other Cults''
|''Love and Other Cults''
| Reika
| Reika
| Peran pendukung<ref>{{cite news | first=Elizabeth | last=Kerr | title='Love and Other Cults': Film Review | url=https://www.hollywoodreporter.com/review/love-cults-film-review-filmart-2017-985957 | work=[[The Hollywood Reporter]] | date=2017-03-14 | accessdate=2019-11-10 }}</ref>
| Peran pendukung<ref>{{cite news | first=Elizabeth | last=Kerr | title='Love and Other Cults': Film Review | url=https://www.hollywoodreporter.com/review/love-cults-film-review-filmart-2017-985957 | work=[[The Hollywood Reporter]] | date=2017-03-14 | accessdate=2019-11-10 | archive-date=2020-09-25 | archive-url=https://web.archive.org/web/20200925035850/https://www.hollywoodreporter.com/review/love-cults-film-review-filmart-2017-985957 | dead-url=no }}</ref>
|-
|-
| 2018
| 2018
|''The Chrysanthemum and the Guillotine''
|''The Chrysanthemum and the Guillotine''
| Tamae Tokachigawa
| Tamae Tokachigawa
| Peran pendukung<ref>{{cite news | first=Mark | last=Schilling | title='The Chrysanthemum and the Guillotine': A sumo subplot stands out in a crowded film | url=https://www.japantimes.co.jp/culture/2018/07/10/films/film-reviews/chrysanthemum-guillotine-sumo-subplot-stands-crowded-film/#.Xcfb9a97nIU | work=[[The Japan Times]] | date=2018-07-10 | accessdate=2019-11-10 }}</ref>
| Peran pendukung<ref>{{cite news | first=Mark | last=Schilling | title='The Chrysanthemum and the Guillotine': A sumo subplot stands out in a crowded film | url=https://www.japantimes.co.jp/culture/2018/07/10/films/film-reviews/chrysanthemum-guillotine-sumo-subplot-stands-crowded-film/#.Xcfb9a97nIU | work=[[The Japan Times]] | date=2018-07-10 | accessdate=2019-11-10 | archive-date=2022-12-24 | archive-url=https://web.archive.org/web/20221224160443/https://www.japantimes.co.jp/culture/2018/07/10/films/film-reviews/chrysanthemum-guillotine-sumo-subplot-stands-crowded-film/#.Xcfb9a97nIU | dead-url=no }}</ref>
|-
|-
|}
|}

Revisi terkini sejak 13 Agustus 2023 23.15

Hanae Kan
Nama asal韓 英恵
Lahir7 November 1990 (umur 33)
Shizuoka Prefecture, Jepang
Nama lainHan Young-hye (한영혜)
Pekerjaan
  • Actress
Tahun aktif2001-sekarang
AgenDogSugar
Tinggi161[1] cm (5 ft 3 in)
Situs webwww.dogsugar.co.jp/hanae-kan.html
IMDB: nm1165029 Allocine: 97184 Rottentomatoes: celebrity/kan-hanae Allmovie: p402882
Instagram: hanaekan_official Edit nilai pada Wikidata

Hanae Kan (韓 英恵, Kan Hanae, lahir 7 November 1990)[1] adalah aktris asal Jepang. Kan memulai debut filmnya pada tahun 2001 dalam Pistol Opera. Ia juga berperan dalam film Nobody Knows, Dead Run, Memo, dan Asia no Junshin.[1]

Kehidupan awal

[sunting | sunting sumber]

Kan lahir di Perfektur Shizuoka, Jepang dari ayah Korea dan ibu Jepang. Ia lancar dalam berbahasa Jepang dan Korea.[2]

Filmografi

[sunting | sunting sumber]
Tahun Judul Peran Catatan
2001 Pistol Opera Kayoko Debut peran akting[1]
2004 Nobody Knows Saki Mizuguchi Peran utama[1]
2005 Dead Run Eri Peran utama[1]
2006 Nightmare Detective Yuko Kikugawa Peran pendukung
2008 Nightmare Detective 2 Yuko Kikugawa Peran pendukung
2012 11:25 The Day He Chose His Own Fate Makiko Peran kecil
2013 Petal Dance Kyoko Peran pendukung[3]
2015 Their Distance Han Suna Peran utama[4][5]
West North West Kei Peran utama[6]
2016 Bitter Honey Maruko Maruta [7]
Yamato (California) Sakura Peran utama[8][9]
2017 Love and Other Cults Reika Peran pendukung[10]
2018 The Chrysanthemum and the Guillotine Tamae Tokachigawa Peran pendukung[11]

Referensi

[sunting | sunting sumber]
  1. ^ a b c d e f "韓英恵のプロフィール" [Hanae Kan's profile]. Oricon (dalam bahasa Jepang). Diarsipkan dari versi asli tanggal 2019-11-10. Diakses tanggal 2019-04-29. 
  2. ^ Ikegami, Ai. "Interview 韓英恵" [Interview with Hanae Kan]. Wani Books (dalam bahasa Jepang). Diarsipkan dari versi asli tanggal 2022-09-08. Diakses tanggal 2019-11-10. 
  3. ^ Schilling, Mark (2013-04-19). "'Petaru Dansu (Petal Dance)'". The Japan Times. Diarsipkan dari versi asli tanggal 2022-01-24. Diakses tanggal 2019-11-10. 
  4. ^ Schilling, Mark (2015-12-30). "'Their Distance' explores the pain of being young and in love". The Japan Times. Diarsipkan dari versi asli tanggal 2019-12-08. Diakses tanggal 2018-10-01. 
  5. ^ Kerr, Elizabeth (2016-03-15). "'Their Distance': Filmart/Hong Kong Review". The Hollywood Reporter. Diarsipkan dari versi asli tanggal 2019-11-10. Diakses tanggal 2018-10-01. 
  6. ^ Chang, Justin (2015-10-05). "Busan Film Review: 'West North West'". Variety. Diarsipkan dari versi asli tanggal 2022-08-26. Diakses tanggal 2019-11-10. 
  7. ^ Schilling, Mark (2016-03-20). "'Bitter Honey': Fishing for the love of a writer". The Japan Times. Diarsipkan dari versi asli tanggal 2021-04-10. Diakses tanggal 2019-11-10. 
  8. ^ Schilling, Mark (2018-04-04). "'Yamato (California)': Hanae Kan does well as an aspiring rapper that's straight outta Japan". The Japan Times. Diarsipkan dari versi asli tanggal 2022-05-20. Diakses tanggal 2019-11-10. 
  9. ^ Tsui, Clarence (2017-01-27). "'Yamato (California)': Film Review". The Hollywood Reporter. Diarsipkan dari versi asli tanggal 2020-10-28. Diakses tanggal 2019-11-10. 
  10. ^ Kerr, Elizabeth (2017-03-14). "'Love and Other Cults': Film Review". The Hollywood Reporter. Diarsipkan dari versi asli tanggal 2020-09-25. Diakses tanggal 2019-11-10. 
  11. ^ Schilling, Mark (2018-07-10). "'The Chrysanthemum and the Guillotine': A sumo subplot stands out in a crowded film". The Japan Times. Diarsipkan dari versi asli tanggal 2022-12-24. Diakses tanggal 2019-11-10.