Laurie Baker: Perbedaan antara revisi
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{{Infobox Architect |
{{Infobox Architect |
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|image |
|image = Backer.jpg |
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|caption |
|caption = Laurie Baker |
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|name |
|name = Laurence Wilfred Baker |
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|nationality |
|nationality = [[India]], asal [[Britania]] |
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|birth_date |
|birth_date = [[2 Maret]] [[1917]] |
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|birth_place |
|birth_place = {{flagicon|Inggris}} [[Birmingham]], [[Inggris]] |
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|death_date |
|death_date = [[1 April]] [[2007]], usia 90 |
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|death_place |
|death_place = {{flagicon|India}} [[Thiruvananthapuram]], [[Kerala]], [[India]] |
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|practice_name |
|practice_name = |
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|significant_buildings= |
|significant_buildings = |
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|significant_projects = |
|significant_projects = |
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|significant_design |
|significant_design = |
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|awards |
|awards = |
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}} |
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'''Laurence Wilfred "Laurie" Baker''' ([[ |
'''Laurence Wilfred "Laurie" Baker''' ({{lahirmati|[[Birmingham]], [[Inggris]]|2|3|1917|[[Thiruvananthapuram]], [[Kerala]], [[India]]|1|4|2007}}) adalah seorang [[arsitek]] [[Inggris]] yang menerima berbagai penghargaan, terkenal karena inisiatifnya dalam membangun perumahan murah. Ia pergi ke India pada 1945 sebagian sebagai misionaris dan sejak itu ia menetap dan bekerja di [[India]] selama lebih dari 50 tahun. Pada [[1989]] ia memperoleh kewarganegaraan India dan tinggal di [[Thiruvananthapuram]] (Trivandrum), [[Kerala]]. Pada 1990, [[Pemerintah India]] menganugerahkan kepadanya [[Padma Shri]], penghargaan sipil keempat tertinggi, sebagai pengakuan atas jasa-jasanya dalam bidang arsitektur. |
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== Pendidikan dan karya misionaris == |
== Pendidikan dan karya misionaris == |
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Baker belajar [[arsitektur]] di [[Birmingham, Inggris|Birmingham]] dan lulus pada 1937, dalam usia 20 tahun, pada saat-saat pergolakan politik di Eropa. Komitmen awalnya atas India membuat ia bekerja sebagai arsitek untuk sebuah lembaga misi internasional dan antar-denominasi yang mengabdikan diri pada pemeliharaan para penderita [[lepra]]. Karena obat-obatan baru untuk penyakit ini menjadi semakin banyak tersedia, tanggung jawabnya terpusat pada usaha mengubah atau menggantikan tempat-tempat tinggal penderita yang dulunya digunakan untuk menampung meeka yang dijauhi oleh masyarakat karena penyakitnya. Baker kemudian menyadari bahwa pendidikan konstruksinya di Inggris ternyata tidak memadai untuk jenis-jenis masalah dan bahan-bahan yang dihadapinya: [[rayap]] dan [[muson]] tahunan, serta [[laterit]], [[kotoran sapi]], dan dinding-dinding dari lumpur yang dikeringkan. Karena itu, mau tak mau Baker harus mengamati dan belajar dari metode dan praktik-praktik arsitektur masyarakat setempat. Ia segera paham bahwa arsitektur dan metode-metode |
Baker belajar [[arsitektur]] di [[Birmingham, Inggris|Birmingham]] dan lulus pada 1937, dalam usia 20 tahun, pada saat-saat pergolakan politik di Eropa. Komitmen awalnya atas India membuat ia bekerja sebagai arsitek untuk sebuah lembaga misi internasional dan antar-denominasi yang mengabdikan diri pada pemeliharaan para penderita [[lepra]]. Karena obat-obatan baru untuk penyakit ini menjadi semakin banyak tersedia, tanggung jawabnya terpusat pada usaha mengubah atau menggantikan tempat-tempat tinggal penderita yang dulunya digunakan untuk menampung meeka yang dijauhi oleh masyarakat karena penyakitnya. Baker kemudian menyadari bahwa pendidikan konstruksinya di Inggris ternyata tidak memadai untuk jenis-jenis masalah dan bahan-bahan yang dihadapinya: [[rayap]] dan [[muson]] tahunan, serta [[laterit]], [[kotoran sapi]], dan dinding-dinding dari lumpur yang dikeringkan. Karena itu, mau tak mau Baker harus mengamati dan belajar dari metode dan praktik-praktik arsitektur masyarakat setempat. Ia segera paham bahwa arsitektur dan metode-metode masyarakat di tempat-tempat ini ternyata adalah sarana satu-satunya yang ada untuk mengatasi masalah-masalah yang mulanya membuatnya hampir putus asa. |
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Diilhami oleh temuan-temuannya - yang dengan rendah hati diakuinya bahwa itu semua adalh 'temuan' baginya, sementara bagi mereka yang mengembangkan praktik-praktik yang diamatinya adalah pengetahuan umum - ia mulai mengembangkan gaya arsitekturnya hingga mendekati budaya dan kebutuhan sesungguhnya dari mereka yang kelak benar-benar menggunakan bagnunan-bangunannya, dan bukan sekadar mengikuti selera "modern-istik" para kliennya yang mampu membayar. |
Diilhami oleh temuan-temuannya - yang dengan rendah hati diakuinya bahwa itu semua adalh 'temuan' baginya, sementara bagi mereka yang mengembangkan praktik-praktik yang diamatinya adalah pengetahuan umum - ia mulai mengembangkan gaya arsitekturnya hingga mendekati budaya dan kebutuhan sesungguhnya dari mereka yang kelak benar-benar menggunakan bagnunan-bangunannya, dan bukan sekadar mengikuti selera "modern-istik" para kliennya yang mampu membayar.<!--==Gandhian encouragement and initial work== |
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<!--==Gandhian encouragement and initial work== |
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After India had gained her independence and [[Mahatma Gandhi]] (a personal acquaintance and powerful influence on Baker's building philosophy) had been assassinated, Baker lived in [[Kerala]] with |
After India had gained her independence and [[Mahatma Gandhi]] (a personal acquaintance and powerful influence on Baker's building philosophy) had been assassinated, Baker lived in [[Kerala]] with |
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Doctor P.J. Chandy, from whom he received great encouragement and whose sister he would later wed. Herself a doctor, Elizabeth Chandy and Laurie were married |
Doctor P.J. Chandy, from whom he received great encouragement and whose sister he would later wed. Herself a doctor, Elizabeth Chandy and Laurie were married |
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and moved to [[Pithoragarh]], a small village on the borders of [[Tibet]] and [[Nepal]] in the [[Himalayas]], where they lived and worked for 16 years. Elizabeth's medical training would be put to use aiding the afflicted in the village while Laurie continued his architectural work and research accommodating the medical needs of the community through his constructions of various hospitals and clinics. It is here that Baker would acquire and hone those skills from the local building community which had so fascinated him during his missionary work. |
and moved to [[Pithoragarh]], a small village on the borders of [[Tibet]] and [[Nepal]] in the [[Himalayas]], where they lived and worked for 16 years. Elizabeth's medical training would be put to use aiding the afflicted in the village while Laurie continued his architectural work and research accommodating the medical needs of the community through his constructions of various hospitals and clinics. It is here that Baker would acquire and hone those skills from the local building community which had so fascinated him during his missionary work. |
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Baker sought to enrich the culture in which he participated by promoting simplicity and home-grown quality in his buildings. Seeing so many people living in poverty in the region and throughout India served also to amplify his emphasis on cost-conscious construction, one that encouraged local participation in development and craftsmanship - an ideal that the Mahatma expressed as the only means to revitalize and liberate an impoverished India. This drive for simplicity also stemmed from his [[Quaker]] upbringing and faith, one that saw indulging in a deceitful facade as a way to fool the 'Creator' as quite pointless. Instead, Baker sought to provide the 'right' space for his clients and to avoid anything pretentious. |
Baker sought to enrich the culture in which he participated by promoting simplicity and home-grown quality in his buildings. Seeing so many people living in poverty in the region and throughout India served also to amplify his emphasis on cost-conscious construction, one that encouraged local participation in development and craftsmanship - an ideal that the Mahatma expressed as the only means to revitalize and liberate an impoverished India. This drive for simplicity also stemmed from his [[Quaker]] upbringing and faith, one that saw indulging in a deceitful facade as a way to fool the 'Creator' as quite pointless. Instead, Baker sought to provide the 'right' space for his clients and to avoid anything pretentious. |
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Eventually, he was drawn back to work in India as more and more people began commissioning work from him in the area. The first client being Welthy Honsinger Fisher, an elderly American woman concerned with adult illiteracy throughout India, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An aging woman who risked her health to visit Laurie, refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realized that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarized with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalizing designs through hand-drawn instructions to masons and laborers on how to achieve certain design solutions. |
Eventually, he was drawn back to work in India as more and more people began commissioning work from him in the area. The first client being Welthy Honsinger Fisher, an elderly American woman concerned with adult illiteracy throughout India, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An aging woman who risked her health to visit Laurie, refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realized that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarized with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalizing designs through hand-drawn instructions to masons and laborers on how to achieve certain design solutions. |
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==Architectural style== |
==Architectural style== |
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[[ |
[[Berkas:Icftvpm.JPG|thumb|150px|The [[Indian Coffee House, Kerala|Indian Coffee House]] in Thiruvananthapuram, which was designed by Laurie Baker]] |
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Throughout his practice, Baker became well known for designing and building low cost, high quality homes, with a great portion of his work suited to or built for lower-middle to lower class clients. His buildings tend to emphasize prolific - at times virtuosic - masonry construction, instilling privacy and evoking history with brick ''jali'' walls, a perforated brick screen which utilises natural air movement to cool the home's interior and create intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs invariably have traditional Indian sloping roofs and [[terracotta]] [[Mangalore]] tile shingling with [[gable]]s and vents allowing rising hot air to escape. Curved walls enter Baker's architectural vocabulary as a means to enclose more volume at lower material cost than straight walls, and for Laurie, "building [became] more fun with the circle." A testament to his frugality, Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and window frames, sometimes hitting a stroke of luck as evidenced by the intricately carved entry to the [[Chitralekha Film Studio]] (Aakulam, Trivandrum, 1974-76): a capricious architectural element found in a junk heap. |
Throughout his practice, Baker became well known for designing and building low cost, high quality homes, with a great portion of his work suited to or built for lower-middle to lower class clients. His buildings tend to emphasize prolific - at times virtuosic - masonry construction, instilling privacy and evoking history with brick ''jali'' walls, a perforated brick screen which utilises natural air movement to cool the home's interior and create intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs invariably have traditional Indian sloping roofs and [[terracotta]] [[Mangalore]] tile shingling with [[gable]]s and vents allowing rising hot air to escape. Curved walls enter Baker's architectural vocabulary as a means to enclose more volume at lower material cost than straight walls, and for Laurie, "building [became] more fun with the circle." A testament to his frugality, Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and window frames, sometimes hitting a stroke of luck as evidenced by the intricately carved entry to the [[Chitralekha Film Studio]] (Aakulam, Trivandrum, 1974-76): a capricious architectural element found in a junk heap. |
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[[ |
[[Berkas:Dolas house.png|left|thumb|Baker's works, such as this house, blend seamlessly into the natural settings.]] |
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Baker's architectural method is one of improvisation, in which initial drawings have only an idealistic link to the final construction, with most of the accommodations and design choices being made on-site by the architect himself. Compartments for milk bottles near the doorstep, windowsills that double as bench surfaces, and a heavy emphasis on taking cues from the natural condition of the site are just some examples. His Quaker-instilled respect for nature lead him to let the idiosyncrasies of a site inform his architectural improvisations, rarely is a topography line marred or a tree uprooted. This saves construction cost as well, since working around difficult site conditions is much more cost-effective than clear-cutting. ("I think it's a waste of money to level a well-moulded site") Resistant to "high-technology" that addresses building environment issues by ignoring natural environment, at the [[Centre for Development Studies]] (Trivandrum, 1971) Baker created a cooling system by placing a high, latticed, brick wall near a pond that uses air pressure differences to draw cool air through the building. His responsiveness to never-identical site conditions quite obviously allowed for the variegation that permeates his work.--> |
Baker's architectural method is one of improvisation, in which initial drawings have only an idealistic link to the final construction, with most of the accommodations and design choices being made on-site by the architect himself. Compartments for milk bottles near the doorstep, windowsills that double as bench surfaces, and a heavy emphasis on taking cues from the natural condition of the site are just some examples. His Quaker-instilled respect for nature lead him to let the idiosyncrasies of a site inform his architectural improvisations, rarely is a topography line marred or a tree uprooted. This saves construction cost as well, since working around difficult site conditions is much more cost-effective than clear-cutting. ("I think it's a waste of money to level a well-moulded site") Resistant to "high-technology" that addresses building environment issues by ignoring natural environment, at the [[Centre for Development Studies]] (Trivandrum, 1971) Baker created a cooling system by placing a high, latticed, brick wall near a pond that uses air pressure differences to draw cool air through the building. His responsiveness to never-identical site conditions quite obviously allowed for the variegation that permeates his work.--> |
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== Kematian == |
== Kematian == |
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[[ |
[[Berkas:Hamlet baker.png|jmpl|''Kampung'' di [[Nalanchira]] dekat [[Thiruvananthapuram]], yang menjadi tempat tinggal Baker dan istrinya sejak 1970. Rumah ini, yang terletak di puncak bukit, dirancang oleh Baker.]] |
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Laurie Baker meninggal dunia pada pk. 7.30 pagi pada [[1 April]] [[2007]], pada usia 90 tahun. Hingga akhir hayatnya, ia terus bekerja di dan di sekitar rumahnya di [[Trivandrum]], meskipun kondisinya kesehatannya telah membuat kehadiran fisiknya di proyek pembangunannya menjadi minimal. Rancangan dan tulisannya dilakukannya kebanyakan di rumahnya. Penekatannya terhadap arsitektur pelan-pelan mendapatkan penghargaan ketika kecenderungan arsitektur mengarah kepada pembangunan tempat, dan bukan modernisasi atau stilisasi. Namun, sebagai akibat dari penerimaan yang meluas ini, rumah "Gaya Baker" menjadi semakin populer, dan hal ini justru membuat gundah Baker, karena ia merasa bahwa 'gaya' yang dijadikan |
Laurie Baker meninggal dunia pada pk. 7.30 pagi pada [[1 April]] [[2007]], pada usia 90 tahun. Hingga akhir hayatnya, ia terus bekerja di dan di sekitar rumahnya di [[Trivandrum]], meskipun kondisinya kesehatannya telah membuat kehadiran fisiknya di proyek pembangunannya menjadi minimal. Rancangan dan tulisannya dilakukannya kebanyakan di rumahnya. Penekatannya terhadap arsitektur pelan-pelan mendapatkan penghargaan ketika kecenderungan arsitektur mengarah kepada pembangunan tempat, dan bukan modernisasi atau stilisasi. Namun, sebagai akibat dari penerimaan yang meluas ini, rumah "Gaya Baker" menjadi semakin populer, dan hal ini justru membuat gundah Baker, karena ia merasa bahwa 'gaya' yang dijadikan komoditas itu semata-mata merupakan perwujudan dari dorongan budaya dan ekonomi wilayah tempat ia bekerja, dan bukan sebuah solusi yang dapat diterapkan begitu saja kepada situasi apapun juga di mana saja. Arsitektur Laurie Baker terfokus pada upaya mempertahankan sifat alamiah situsnya dan konstruksi masyarakat setempat yang mengutamakan pertimbangan ekonmois, serta integrasi yang utuh dengan budaya setempat yang telah menjadi sumber ilhamnya. Banyak dari tulisan-tulisan Laurie Baker diterbitkan dan dapat diperoleh lewat COSTFORD (Center Of Science and Technology For Rural Development - Pusat Sains dan Teknologi untuk Pembangunan Pedesaan), perusahaan yang kini menyelia banyak proyeknya, di mana ia menjadi Aristek Utamanya. |
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== Penghargaan == |
== Penghargaan == |
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* 1987: Penghargaan Indian National Habitat. |
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* 1989: Medali Institut Arsitek India untuk Arsitek Terkemuka Tahun Ini. |
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* 1989: Medali Institut Arsitek India untuk Arsitek Terkemuka Tahun Ini. |
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* 1990: Penghargaan Grand Masters - Arsiten Tahun Ini. |
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* 1991: Pemerintah India - Padmashree |
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* 1991: Medali Institut Arsitek India - Arsitek Luar Biasa. |
* 1991: Pemerintah India - Padmashree |
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* 1991: Medali Institut Arsitek India - Arsitek Luar Biasa. |
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* |
* 1992: Penghargaan Habitat PBB dan Roll of Honour. |
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* |
* 1993: Perhimpunan Arsitek Internasional - [[World Habitat Awards|World Habitat Award]]. |
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* |
* 1995: Universitas Central Inggris. Doktor Universitas. |
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== Beberapa buku tentang Laurie Baker == |
== Beberapa buku tentang Laurie Baker == |
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* Bhatia, G., ''Laurie Baker, Life, Work, Writings'' ([[Viking Press]]) |
* Bhatia, G., ''Laurie Baker, Life, Work, Writings'' ([[Viking Press]]) |
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* Bhatia, G., ''Laurie Baker, Life, Work, Writings'' ([[Penguin Books]], [[1994]]). |
* Bhatia, G., ''Laurie Baker, Life, Work, Writings'' ([[Penguin Books]], [[1994]]). |
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== Pranala luar == |
== Pranala luar == |
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* [http://www.motherjones.com/news/feature/2000/07/brick_master.html News story - The Brick Master of Kerala]. |
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* [http://www. |
* [http://www.motherjones.com/news/feature/2000/07/brick_master.html News story - The Brick Master of Kerala]. |
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* [http://www.hinduonnet.com/folio/fo9908/99080300.htm ''Of Architectural Truths and Lies''] {{Webarchive|url=https://web.archive.org/web/20070420003252/http://www.hinduonnet.com/folio/fo9908/99080300.htm |date=2007-04-20 }} |
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* [http://www.frontlineonnet.com/fl2005/stories/20030314000107000.htm ''Architecture for the People''] |
* [http://www.frontlineonnet.com/fl2005/stories/20030314000107000.htm ''Architecture for the People''] |
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* [http://www.hindu.com/2003/11/30/stories/2003113004960400.htm Penghargan D.Litt kepada Laurie Baker] |
* [http://www.hindu.com/2003/11/30/stories/2003113004960400.htm Penghargan D.Litt kepada Laurie Baker] {{Webarchive|url=https://web.archive.org/web/20070313132423/http://www.hindu.com/2003/11/30/stories/2003113004960400.htm |date=2007-03-13 }} |
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* [http://www.hinduonnet.com/fline/fl2005/stories/20030314000906400.htm Perjalanan kreatif Laurie Baker] Frontline - oleh Joginder Singh dan Shrinivas Warkhandkar |
* [http://www.hinduonnet.com/fline/fl2005/stories/20030314000906400.htm Perjalanan kreatif Laurie Baker] {{Webarchive|url=https://web.archive.org/web/20081229133423/http://www.hinduonnet.com/fline/fl2005/stories/20030314000906400.htm |date=2008-12-29 }} Frontline - oleh Joginder Singh dan Shrinivas Warkhandkar |
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[[Kategori:Kelahiran 1917]] |
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[[Kategori:Kematian 2007]] |
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[[Kategori:Penerima penghargaan Padma Shri]] |
[[Kategori:Penerima penghargaan Padma Shri]] |
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[[Kategori:Arsitek Inggris]] |
[[Kategori:Arsitek Inggris]] |
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[[Kategori:Arsitek India]] |
[[Kategori:Arsitek India]] |
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[[Kategori:Tokoh Trivandrum]] |
[[Kategori:Tokoh Trivandrum]] |
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Revisi terkini sejak 6 November 2021 23.00
| Laurence Wilfred Baker | |
 Laurie Baker | |
| Informasi Pribadi | |
|---|---|
| Nama | Laurence Wilfred Baker |
| Warga negara | India, asal Britania |
| Tangal lahir | 2 Maret 1917 |
| Tempat lahir |  Birmingham, Inggris
|
| Tanggal kematian | 1 April 2007, usia 90 |
| Tempat kematian |  Thiruvananthapuram, Kerala, India
|
| Kehidupan Kerja | |
| Bangunan terkenal | |
| Proyek terkenal | |
Laurence Wilfred "Laurie" Baker (2 Maret 1917 – 1 April 2007) adalah seorang arsitek Inggris yang menerima berbagai penghargaan, terkenal karena inisiatifnya dalam membangun perumahan murah. Ia pergi ke India pada 1945 sebagian sebagai misionaris dan sejak itu ia menetap dan bekerja di India selama lebih dari 50 tahun. Pada 1989 ia memperoleh kewarganegaraan India dan tinggal di Thiruvananthapuram (Trivandrum), Kerala. Pada 1990, Pemerintah India menganugerahkan kepadanya Padma Shri, penghargaan sipil keempat tertinggi, sebagai pengakuan atas jasa-jasanya dalam bidang arsitektur.
Pendidikan dan karya misionaris
[sunting | sunting sumber]Baker belajar arsitektur di Birmingham dan lulus pada 1937, dalam usia 20 tahun, pada saat-saat pergolakan politik di Eropa. Komitmen awalnya atas India membuat ia bekerja sebagai arsitek untuk sebuah lembaga misi internasional dan antar-denominasi yang mengabdikan diri pada pemeliharaan para penderita lepra. Karena obat-obatan baru untuk penyakit ini menjadi semakin banyak tersedia, tanggung jawabnya terpusat pada usaha mengubah atau menggantikan tempat-tempat tinggal penderita yang dulunya digunakan untuk menampung meeka yang dijauhi oleh masyarakat karena penyakitnya. Baker kemudian menyadari bahwa pendidikan konstruksinya di Inggris ternyata tidak memadai untuk jenis-jenis masalah dan bahan-bahan yang dihadapinya: rayap dan muson tahunan, serta laterit, kotoran sapi, dan dinding-dinding dari lumpur yang dikeringkan. Karena itu, mau tak mau Baker harus mengamati dan belajar dari metode dan praktik-praktik arsitektur masyarakat setempat. Ia segera paham bahwa arsitektur dan metode-metode masyarakat di tempat-tempat ini ternyata adalah sarana satu-satunya yang ada untuk mengatasi masalah-masalah yang mulanya membuatnya hampir putus asa.
Diilhami oleh temuan-temuannya - yang dengan rendah hati diakuinya bahwa itu semua adalh 'temuan' baginya, sementara bagi mereka yang mengembangkan praktik-praktik yang diamatinya adalah pengetahuan umum - ia mulai mengembangkan gaya arsitekturnya hingga mendekati budaya dan kebutuhan sesungguhnya dari mereka yang kelak benar-benar menggunakan bagnunan-bangunannya, dan bukan sekadar mengikuti selera "modern-istik" para kliennya yang mampu membayar.
Kematian
[sunting | sunting sumber]
Laurie Baker meninggal dunia pada pk. 7.30 pagi pada 1 April 2007, pada usia 90 tahun. Hingga akhir hayatnya, ia terus bekerja di dan di sekitar rumahnya di Trivandrum, meskipun kondisinya kesehatannya telah membuat kehadiran fisiknya di proyek pembangunannya menjadi minimal. Rancangan dan tulisannya dilakukannya kebanyakan di rumahnya. Penekatannya terhadap arsitektur pelan-pelan mendapatkan penghargaan ketika kecenderungan arsitektur mengarah kepada pembangunan tempat, dan bukan modernisasi atau stilisasi. Namun, sebagai akibat dari penerimaan yang meluas ini, rumah "Gaya Baker" menjadi semakin populer, dan hal ini justru membuat gundah Baker, karena ia merasa bahwa 'gaya' yang dijadikan komoditas itu semata-mata merupakan perwujudan dari dorongan budaya dan ekonomi wilayah tempat ia bekerja, dan bukan sebuah solusi yang dapat diterapkan begitu saja kepada situasi apapun juga di mana saja. Arsitektur Laurie Baker terfokus pada upaya mempertahankan sifat alamiah situsnya dan konstruksi masyarakat setempat yang mengutamakan pertimbangan ekonmois, serta integrasi yang utuh dengan budaya setempat yang telah menjadi sumber ilhamnya. Banyak dari tulisan-tulisan Laurie Baker diterbitkan dan dapat diperoleh lewat COSTFORD (Center Of Science and Technology For Rural Development - Pusat Sains dan Teknologi untuk Pembangunan Pedesaan), perusahaan yang kini menyelia banyak proyeknya, di mana ia menjadi Aristek Utamanya.
Penghargaan
[sunting | sunting sumber]- 1987: Penghargaan Indian National Habitat.
- 1989: Medali Institut Arsitek India untuk Arsitek Terkemuka Tahun Ini.
- 1990: Penghargaan Grand Masters - Arsiten Tahun Ini.
- 1991: Pemerintah India - Padmashree
- 1991: Medali Institut Arsitek India - Arsitek Luar Biasa.
- 1992: Penghargaan Habitat PBB dan Roll of Honour.
- 1993: Perhimpunan Arsitek Internasional - World Habitat Award.
- 1995: Universitas Central Inggris. Doktor Universitas.
Beberapa buku tentang Laurie Baker
[sunting | sunting sumber]- Bhatia, G., Laurie Baker, Life, Work, Writings (Viking Press)
- Bhatia, G., Laurie Baker, Life, Work, Writings (Penguin Books, 1994).
Pranala luar
[sunting | sunting sumber]- News story - The Brick Master of Kerala.
- Of Architectural Truths and Lies Diarsipkan 2007-04-20 di Wayback Machine.
- Architecture for the People
- Penghargan D.Litt kepada Laurie Baker Diarsipkan 2007-03-13 di Wayback Machine.
- Perjalanan kreatif Laurie Baker Diarsipkan 2008-12-29 di Wayback Machine. Frontline - oleh Joginder Singh dan Shrinivas Warkhandkar