Robert S. Duncanson: Perbedaan antara revisi
Add 1 book for Wikipedia:Pemastian (20211009)) #IABot (v2.0.8.1) (GreenC bot |
k Bot: perubahan kosmetika |
||
Baris 75: | Baris 75: | ||
{{DEFAULTSORT:Duncanson, Robert Scott}} |
{{DEFAULTSORT:Duncanson, Robert Scott}} |
||
[[ |
[[Kategori:Pelukis Amerika Serikat]] |
Revisi per 13 Oktober 2021 04.46
Robert Seldon Duncanson | |
---|---|
Lahir | 1821 Fayette, New York, A.S. |
Meninggal | December 21, 1872 Detroit, Michigan, A.S. |
Pendidikan | Otodidak |
Dikenal atas | landscape painting |
Gerakan politik | Sekolah Sungai Hudson, Gaya Lembah Sungai Ohio |
Robert Seldon Duncanson (1 Januari 1821 – 21 Desember 1872) adalah lanskap Amerika abad ke-19 keturunan Eropa dan Afrika. Terinspirasi oleh seniman lanskap Amerika terkenal seperti Thomas Cole, Duncanson menciptakan lukisan pemandangan terkenal dan dianggap sebagai seniman generasi kedua Sekolah Sungai Hudson.[1] Sebagai orang kulit hitam bebas di antebellum Amerika, Duncanson melibatkan komunitas abolitionist di Amerika dan Inggris untuk mendukung dan mempromosikan karyanya.[2] Duncanson is considered the first African-American artist to be internationally known.[2] Dia beroperasi di lingkaran budaya Cincinnati, Detroit, Montreal, dan London. Perdebatan sejarah seni rupa utama yang berpusat pada Duncanson menyangkut peran yang dimainkan oleh isu-isu rasial kontemporer dalam karyanya. Beberapa sejarawan seni, seperti Joseph D. Ketner, percaya bahwa Duncanson menggunakan metafora rasial dalam karya seninya,[3] sementara yang lain, seperti Margaret Rose Vendryes, mencegah pemirsa mendekati karya seninya dengan perspektif rasial.[4]
Galeri
-
Vulture and Its Prey (1844)
-
Portrait of Freeman Cary (c. 1856)
-
Untitled (Landscape)
-
Landscape with Sheep
-
On the St. Annes, East Canada (1863–65)
-
Waterfall on Mont-Morency (1864)
-
Mount Oxford (1864)
-
A Dream of Italy (1865)
-
Land of the Lotus Eaters Landscape, (1870), Private Collection, Philadelphia, Pennsylvania
-
Vesuvius and Pompeii (1870)
-
Ellen's Isle, Loch Katrine (1871)
-
Blue Hole, Flood Waters, Miami River (1851)
-
The Caves (1869), Amon Carter Museum of American Art
-
Mountain Landscape with Cows and Sheep, (1866), Newark Museum
-
Mountain Pool, 1870, Smithsonian American Art Museum
-
Loch Long, 1867, Smithsonian American Art Museum
Pameran
- 1842: Annual Exhibition of Paintings and Statuary, Western Art Union, Cincinnati, Ohio
- 1843: Annual Exhibition of Paintings and Statuary, Western Art Union, Cincinnati, Ohio
- 1864: Art Association of Montreal, Montreal, Canada
- 1865: Dublin Exhibition, Art Association of Montreal, Ireland
- 1871: Western Art Gallery, [Detroit, Michigan
- 1943: Balmoral Castle, Scotland, Museum of Modern Art, New York City
- 1953: Denver Art Museum, Denver, Colorado
- 1955: Cincinnati Art Museum, Cincinnati, Ohio
- 1961: Indianapolis Museum of Art Indianapolis, Indiana
- 1967: Howard University Gallery of Art, Washington, D.C.
- 1970: La Jolla Museum of Contemporary Art, La Jolla, California
- 1971: Bowdoin College, Museum of Contemporary Art, Brunswick, Maine
- 1972: Cincinnati Art Museum, Cincinnati, Ohio
- 1972: Museum of Fine Arts, Boston, Boston, Massachusetts
- 1976: Los Angeles County Museum of Art, Los Angeles
- 1979: Detroit Institute of Arts, Detroit, Michigan
- 1983: National Museum of American Art, Washington, D.C.
- 1992: National Museum of American Art, Washington, D.C.
- 1996: Washington University, St. Louis, Missouri
- 1999: To Conserve a Legacy - American Art from History, Black Colleges and Universities, Studio Museum in Harlem, New York City
- 2003: Then and Now: Selection of 19-20th Century Art by African American Artists, Detroit Institute of Arts, Detroit, Michigan
- 2009: Cincinnati Art Museum, Cincinnati, Ohio
Catatan
- ^ "Duncanson, Robert Seldon". Getty Union List of Artist Names. The J. Paul Getty Trust. Diakses tanggal 1 March 2017.
- ^ a b Patton, Sharon (1998). African-American Art. Oxford: Oxford University Press.
- ^ Ketner II, Joseph D. “‘Struggles May and Great’: James P. Ball, Robert Duncanson, and Other Artists of Color in Antebellum Cincinnati.” Magazine Antiques 178, no. 6 (November 2011): 108–15.
- ^ Vendryes, Margaret (2001). "Race Identity/Identifying Race: Robert S. Duncanson and Nineteenth-Century American Painting". Art Institute of Chicago Museum Studies. 27 (1): 82–104. doi:10.2307/4102840. JSTOR 4102840.
Pranala luar
Media tentang Paintings by Robert Scott Duncanson di Wikimedia Commons
- American Paradise: The World of the Hudson River School, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Duncanson (see index)
- Ohio Collection, Dayton Museum of Art
- artcyclopedia
- Long Island University