Emmanuel Pontremoli

Emmanuel Pontremoli
Emmanuel Pontremoli
	Emmanuel Pontremoli, 1932
Lahir	13 Januari 1865; Nice, Alpes-Maritimes, French Empire
Meninggal	25 Juli 1956 (umur 91); Paris, French Republic
Almamater	École des Beaux-Arts
Pekerjaan	Arsitek
Penghargaan	Prix de Rome ; 1890 ; Académie des Beaux-Arts ; 1922 Seat 7 ;
Proyek	Villa Kerylos (ca.1900)

Emmanuel Pontremoli (13 Januari 1865 – 25 Juli 1956) adalah seorang arsitek dan arkeolog Prancis..^[1]

Biografi[sunting | sunting sumber]

Lahir di Nice, Alpes-Maritimes, seorang mahasiswa di atelier Louis-Jules André, pada tahun 1890 ia memenangkan Prix de Rome dalam arsitektur kategori dan pada tahun 1922 menjadi anggota Académie des Beaux Arts. Di Beaux-Arts ia mengajar sebuah studio arsitektur klinis dengan André Leconte, mantan siswa dan pemenang Prix de Rome 1927, Atelier Pontremoli-Leconte yang terkemuka.^[2] Pontremoli diangkat sebagai direktur Beaux-Arts pada tahun 1932 dan dikreditkan dengan menggembalakan sekolah, yang nama telah menjadi identik dengan neoklasikisme, ke abad kedua puluh.^[3]

Pontremoli terkenal karena kreasi arsitekturnya Villa Kerylos untuk Théodore dan Fanny Reinach di Beaulieu-sur-Mer dan untuk Institute for Human Paleontology di Paris untuk Albert I, Pangeran Monako.

Avenue Emmanuel Pontremoli di Nice dinamai untuk mengenangnya.

Galeri[sunting | sunting sumber]

Villa Kérylos, Beaulieu-sur-Mer
Institute for Human Paleontology, Paris

Referensi[sunting | sunting sumber]

^ Bilsel, Can. Antiquity on display : regimes of the authentic in Berlin's Pergamon Museum. Oxford: Oxford University Press. hlm. 114. ISBN 9780199570553.
^ Jean-Michel Leniaud (2002). Bouvier, Béatrice and Jean-Michel Leniaud, ed. Le livre d'architecture, XVe - XXe siècle : édition, représentations et bibliothèques ; journées internationales d'étude des 8 et 9 novembre 2001 organisées au Collège de France, avec le concours du Ministère de la Culture et de la Communication et de l'École Nationale Supérieure des Sciences de l'Information et des Bibliothèques (dalam bahasa French). Paris: École de Chartes. hlm. 202–204, 219. ISBN 9782900791530.
^ Jacques, Annie (2002). "French architects and the Prix de Rome". Ruins of ancient Rome : the drawings of French architects who won the Prix de Rome, 1786-1924. oleh Roberto Cassanelli; Massimiliano David; Emidio De Albentiis; Annie Jacques. David, Massimiliano, ed. Los Angeles, California: J.P. Getty Museum. hlm. 19. ISBN 9780892366804. Modernity in architecture became apparent with the rise of new programs, new materials such as glass and steel, pure aesthetics, and a special attention to urban planning. The Ecole des Beaux-Arts gradually adapted to these trends. The architect Emmanuel Pontremoli (1865–1956, winner of the Grand Prix in 1890) 'became the author of the mediation between the conservative atmosphere of the Academie des beaux-arts and the more innovative opportunities in teaching material.' He was director from 1932 to 1937

Pranala luar[sunting | sunting sumber]

Emmanuel Pontremoli at Culturespaces

[1] Bilsel, Can. Antiquity on display : regimes of the authentic in Berlin's Pergamon Museum. Oxford: Oxford University Press. hlm. 114. ISBN 9780199570553.

[atelierpontremoli-2] Jean-Michel Leniaud (2002). Bouvier, Béatrice and Jean-Michel Leniaud, ed. Le livre d'architecture, XVe - XXe siècle : édition, représentations et bibliothèques ; journées internationales d'étude des 8 et 9 novembre 2001 organisées au Collège de France, avec le concours du Ministère de la Culture et de la Communication et de l'École Nationale Supérieure des Sciences de l'Information et des Bibliothèques (dalam bahasa French). Paris: École de Chartes. hlm. 202–204, 219. ISBN 9782900791530.

[3] Jacques, Annie (2002). "French architects and the Prix de Rome". Ruins of ancient Rome : the drawings of French architects who won the Prix de Rome, 1786-1924. oleh Roberto Cassanelli; Massimiliano David; Emidio De Albentiis; Annie Jacques. David, Massimiliano, ed. Los Angeles, California: J.P. Getty Museum. hlm. 19. ISBN 9780892366804. Modernity in architecture became apparent with the rise of new programs, new materials such as glass and steel, pure aesthetics, and a special attention to urban planning. The Ecole des Beaux-Arts gradually adapted to these trends. The architect Emmanuel Pontremoli (1865–1956, winner of the Grand Prix in 1890) 'became the author of the mediation between the conservative atmosphere of the Academie des beaux-arts and the more innovative opportunities in teaching material.' He was director from 1932 to 1937

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Pengawasan otoritas
Umum	Integrated Authority File (Jerman) ISNI 1 VIAF 1 WorldCat
Perpustakaan nasional	Norwegia Prancis (data) Amerika Serikat Belanda Polandia
Lembaga penelitian seni	Artist Names (Getty)
Lain-lain	Faceted Application of Subject Terminology Léonore (Prancis) 1 RERO (Swiss) 1 SUDOC (Prancis) 1